https://www.cpdl.org/wiki/api.php?action=feedcontributions&user=Jonathang&feedformat=atomChoralWiki - User contributions [en]2024-03-28T09:53:00ZUser contributionsMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=Bright_Phoebus_(James_Hook)&diff=959151Bright Phoebus (James Hook)2019-03-16T13:21:23Z<p>Jonathang: reformatting</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|17993}} [[Media:Hoo-bri.pdf|{{pdf}}]] [[Media:Hoo-bri.mid|{{mid}}]] [[Media:Hoo-bri.mxl|{{XML}}]] [[Media:Hoo-bri.sib|{{sib}}]] (Sibelius 5)<br />
{{Editor|Jonathan Goodliffe|2008-08-31}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Bright Phoebus''<br><br />
{{Composer|James Hook}}<br />
<br />
{{Voicing|1|Solo Tenor}} or {{Cat|Solo Baritone}}<br><br />
{{Genre|Secular|Arias}}<br />
{{Language|English}}<br />
{{Instruments| Piano accompaniment realised by William Alexander Barrett (1832-1891). There may also be scope for adding a horn in the section starting "Hark away".}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' See note at end of score on usage of the word "puss" in the lyrics.<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|English}}<br />
<poem>Bright Phoebus has mounted the chariot of day,<br />
And the hounds and the horns call each sportsman away, <br />
Through meadows and woods with speed now they bound, <br />
Whilst health, rosy health, is in exercise found. <br />
<br />
Hark away is the word to the sound of the horn <br />
And echo, blithe echo, makes jovial the morn. <br />
<br />
Each hill and each valley is lovely to view, <br />
While puss flies the covert and dogs quick pursue, <br />
Behold where she flies o’er the wide spreading plain, <br />
While the loud open pack pursue her amain. <br />
<br />
Hark away is the word to the sound of the horn <br />
And echo, blithe echo, makes jovial the morn. <br />
<br />
At length puss is caught and lies panting for breath, <br />
And the shout of the huntsman's the signal for death, <br />
No joys can delight like the sports of the field, <br />
To hunting all pleasure and pastime must yield. <br />
<br />
Hark away is the word to the sound of the horn <br />
And echo, blithe echo, makes jovial the morn.</poem><br />
<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Francisco_Valls&diff=959140Francisco Valls2019-03-16T12:36:46Z<p>Jonathang: arranging solo works</p>
<hr />
<div>'''Aliases:''' Valls, Francesc<br />
==Life==<br />
'''Born:''' c. 1665? 1671 has recently been proposed.<br />
<br />
'''Died:''' 03 February 1747<br />
<br />
'''Biography:''' Valls was first employed as a parish musician in 1688, then ''maestro de capilla'' at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as ''maestro'' in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise ''Mapa armonico''). Among lost works are 4 oratorios.<br />
<br />
<br />
{{WikipediaLink}} and [http://ca.wikipedia.org/wiki/Francesc_Valls extended article on Valls] including a list of his published works on the Catalonian edition of Wikipedia.<br />
<br />
==List of choral works (includes all choral works from "Mapa Armónico Práctico)==<br />
{{WorksListBox}}<br />
{{top}}<br />
===Antiphons===<br />
*{{NoCo|Ave Maria}}<br />
*{{NoCo|Ave regina caelorum}}<br />
*{{NoCo|Salve regina a 6}}<br />
*{{NoCo|Salve regina a 11}}<br />
*{{NoCo|Veni electa mea}}<br />
<br />
===Arias, sacred, and other solo works===<br />
<br />
Soprano<br />
*{{NoCo|Ad alligandos reges}}<br />
*Gratias agimus tibi (see "mass movements" below)<br />
*{{NoCo|O quam gloriosum}}<br />
<br />
Alto<br />
*Et in spiritum (see Missa Haec in "mass movements" below)<br />
*{{NoCo|Filii hominum}}<br />
*{{NoCo|Laudate pueri Dominum}}<br />
*{{NoCo|Super omnia ligna cedrorum}}<br />
*{{NoCo|Suscipe verbum}}<br />
<br />
Tenor<br />
*{{NoCo|O rex gloriae}}<br />
*{{NoCo|Petrum charitas nascentem}}<br />
*{{NoCo|Tibi soli peccavi II}}<br />
<br />
===Canons and fugues, sacred, Latin text===<br />
*{{NoCo|Auditui meo dabis}}<br />
*{{NoCo|Beatam me dicent a 4}}<br />
*{{NoCo|Benedicta tu in mulieribus}}<br />
*{{NoCo|Cor mundum}}<br />
*{{NoCo|Diffusa est gratia}}<br />
*{{NoCo|Domine quinque talenta}}<br />
*{{NoCo|Ecce enim veritatem}}<br />
*{{NoCo|Ecce enim veritatem II}}<br />
*{{NoCo|Specie tua}}<br />
*{{NoCo|Super aspidem et basiliscum ambulabis}}<br />
<br />
===Hymns, Latin text===<br />
*{{NoCo|Deus tuorum militum}}<br />
*{{NoCo|O gloriosa Virginum}}<br />
*{{NoCo|O memoriale mortis}}<br />
*{{NoCo|Pange lingua}}<br />
*{{NoCo|Te Joseph Celebrent}}<br />
*{{NoCo|Te lucis ante terminum}}<br />
<br />
===Invitatories===<br />
*{{NoCo|In honorem beatae Mariae virginis}}<br />
*{{NoCo|Venite exultemus}}<br />
<br />
===Lamentations===<br />
*{{NoCo|De lamentatione Jeremiae}}<br />
<br />
===Canticles===<br />
*{{NoCo|Magnificat}} (incomplete)<br />
*{{NoCo|Magnificat a 8 con violines}}<br />
*{{NoCo|Magnificat a 10}}<br />
*{{NoCo|Magnificat in Dorian mode}} (a 8)<br />
*{{NoCo|Magnificat a 6 in Dorian mode}}<br />
*{{NoCo|Nunc dimittis a 6}}<br />
*{{NoCo|Nunc dimittis a 10}}<br />
<br />
===Mass, full setting of===<br />
*{{NoCo|Missa a 5 (hypodorian mode)}}<br />
*{{NoCo|Mass in Locrian mode}}<br />
{{middle|3}}<br />
===Mass, movements from the===<br />
*{{NoCo|Agnus Dei}} 6vv from ''Mapa Armónico Práctico''<br />
*{{NoCo|Benedictus qui venit}} 4vv pari MAP<br />
*{{NoCo|Christe eleison (Missa Scala Aretina)}} 7vv<br />
*{{NoCo|Cum Sancto Spiritu}} 10vv 2vlni<br />
*{{NoCo|Et incarnatus est}} 8vv (canon in MAP)<br />
*{{NoCo|Et unam sanctam catholicam}} 4vv 2vlni MAP<br />
*{{NoCo|Gratias agimus tibi}} S solo 2vlni (''Missa Ut queant'')<br />
*{{NoCo|Hosanna in excelsis}} 8vv MAP<br />
*{{NoCo|Laudamus te}} 9vv MAP<br />
*{{NoCo|Missa a 11}} (Kyrie and Agnus Dei only)<br />
*{{NoCo|Missa Haec est virgo sapiens}} (Kyrie, Et in spiritum and Benedictus only)<br />
*{{NoCo|Missa regalis}} (Kyrie only)<br />
*{{NoCo|Patrem omnipotentem}} 8vv (breaks off at "…Dominum Jesum Christum.") MAP<br />
<br />
===Motets, choral===<br />
*{{NoCo|Asumente non concisus}} 6vv<br />
*{{NoCo|Ave stella matutina}} 9vv<br />
*{{NoCo|Beata Dei genitrix Maria}} 6vv<br />
*{{NoCo|Beata quae credidisti}} 12vv<br />
*{{NoCo|Beatam me dicent a 12}}<br />
*{{NoCo|Bone pastor}} 8vv<br />
*{{NoCo|Crucem tuam adoramus}} 4vv + violini<br />
*{{NoCo|Dilexisti justitiam}} 8vv<br />
*{{NoCo|Dogma datur}} 6vv<br />
*{{NoCo|Ecce panis angelorum}} 7vv<br />
**see also ''Bone pastor''<br />
*{{NoCo|Et misericordia}} 5vv (Magnificat fragment)<br />
*{{NoCo|Hodie Maria Virgo}} 8vv<br />
*{{NoCo|Lauda Sion salvatorem a 8}}<br />
*{{NoCo|Non est alia natio}} 6vv<br />
*{{NoCo|O sacramentum pietatis}} 3vv<br />
*{{NoCo|O sacrum convivium}} 8vv<br />
*{{NoCo|Qui manducat meam carnem}} 6vv<br />
*{{NoCo|Tota pulchra es}} 4vv<br />
<br />
===Psalms===<br />
*{{NoCo|Confitebor tibi Domine}}<br />
*{{NoCo|Credidi propter quod locutus est}}<br />
*{{NoCo|Cum invocarem}} a 9 (with chirimías and sackbuts)<br />
*{{NoCo|Cum invocarem a 6}}<br />
*{{NoCo|Dixit Dominus}}<br />
*{{NoCo|Domine probasti me}}<br />
*{{NoCo|In exitu Israel}}<br />
*{{NoCo|Laetatus sum}}<br />
*{{NoCo|Laudate Dominum omnes gentes}}<br />
*''Laudate pueri Dominum'' (see "Arias" above)<br />
*{{NoCo|Memento Domine David}}<br />
{{middle|3}}<br />
===Responsories===<br />
*{{NoCo|Domine quando veneris}} 4vv<br />
*{{NoCo|Dulce lignum}}<br />
*{{NoCo|Immolabit haedum}}<br />
*{{NoCo|Iste est qui ante Deum}}<br />
*{{NoCo|Juravit Dominus}}<br />
*{{NoCo|Justus ut palma florebit}}<br />
*{{NoCo|Magnificavit eum}}<br />
*{{NoCo|Maria Magdalena a 14}} with chirimías and sackbuts<br />
*{{NoCo|Peccantem me quotidie}} 4vv<br />
*{{NoCo|Virtute magna reddebant apostoli}} 10vv<br />
<br />
===Sequences===<br />
*{{NoCo|Lauda Sion salvatorem a 10}}<br />
*{{NoCo|Veni sancte spiritus}}<br />
*{{NoCo|Victimae paschali laudes}}<br />
*{{NoCo|Virginalis hortuli}}<br />
<br />
===Te Deum, movements from the===<br />
*{{NoCo|Fiat misericordia}}<br />
*{{NoCo|Incessabili voce proclamant}}<br />
*{{NoCo|In te Domine speravi}}<br />
*{{NoCo|Non confundar in eternum}}<br />
<br />
===Other sacred compositions, or fragments, in Latin===<br />
*{{NoCo|Adorare Dominum}}<br />
*{{NoCo|Benedicta tu in mulieribus II}}<br />
*{{NoCo|Dies magna}}<br />
*{{NoCo|Domine vim patior}}<br />
*{{NoCo|Erravi}}<br />
*{{NoCo|Fulcite me floribus}}<br />
*{{NoCo|Miserere}} 12vv (verse 1)<br />
**{{NoCo|Amplius lava me}} 6vv (verse 3)<br />
**{{NoCo|Tibi soli peccavi}} 6vv (verse 4)<br />
**''Ecce enim veritatem'' see 2 settings under "Canons" above<br />
*{{NoCo|O vos omnes}}<br />
*{{NoCo|Plorans ploravit}}<br />
<br />
===Sacred works in Spanish===<br />
*{{NoCo|Adoren los hombres}}<br />
*{{NoCo|Al combite que Amor hoy previene}}<br />
*{{NoCo|Alegres mudanzas}}<br />
*{{NoCo|Ay de la pena}}<br />
*{{NoCo|Corta las jarcias, corta las velas}}<br />
*{{NoCo|Dios te salve}}<br />
*{{NoCo|Entre golfos de dulzuras}}<br />
*{{NoCo|Ode to Saint Thomas Aquinas}}<br />
*{{NoCo|No son rayos, no}}<br />
*{{NoCo|Que cuando se engendra la perla divina}}<br />
*{{NoCo|¿Qué es lo que me niega Amor?}}<br />
*{{NoCo|Quien será decid}}<br />
*{{NoCo|Tu en un pesebre}}<br />
*{{NoCo|Y así a los serafines}}<br />
*{{NoCo|Ya el sol puede extender}}<br />
<br />
===Theatrical or operatic compositions in Spanish===<br />
*{{NoCo|Chorus of the fates (Salid del Averno)}}<br />
*{{NoCo|Es tan violento el estrago}}<br />
*{{NoCo|Mas ay de mí}}<br />
<br />
===Illustration of choral techniques===<br />
*{{NoCo|Elevación o ascención, gradación y descenso}}<br />
{{bottom}}<br />
{{Whatlinkshere}}<br />
<br />
==Publications==<br />
:'''Extracts from text of "Mapa Armónico Práctico"'''<br />
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"]<br />
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"]<br />
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"]<br />
<br />
==External links==<br />
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music.<br />
*[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music.<br />
*[http://www.dicat.csic.es/libmusic.html Consejo Superior de Investigaciones Cientificas] - Publishers of Mapa Armonico Practico.<br />
*[{{website|wimabycomp}}Valls.php Cancrizans compositions by Valls] on Werner Icking Music Archive.<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:1665 births]]<br />
[[Category:1747 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Baroque composers]]<br />
[[Category:Spanish composers]]<br />
[[Category:Catalan composers]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Petrum_charitas_nascentem_(Francisco_Valls)&diff=959139Petrum charitas nascentem (Francisco Valls)2019-03-16T12:21:17Z<p>Jonathang: adding "ptrum ..."</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2019-03-16}} {{CPDLno|53595}} [[Media:Valls-petrum.pdf|{{pdf}}]] [[Media:Valls-petrum.mid|{{mid}}]] [[Media:Valls-petrum.sib|{{Sib}}]]<br />
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2019-03-16}}{{ScoreInfo|A4|17|131}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''Petrum charitas nascentem''<br><br />
{{Composer|Francisco Valls}}<br />
<br />
{{Voicing|1|T}} solo<br><br />
{{Genre|Sacred|Sequence hymns}}<br />
{{Language|Latin}}<br />
{{Instruments|Violin}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A solo sequence for solo tenor. The non-standard and rather eccentric text may have been produced by the composer himself.<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
<br />
{{Text|Latin}}<br />
<br />
<poem><b>Verse 1</b><br />
<br />
Petrum charitas nascentem<br />
cepit ulnis et lactentem,<br />
recreavit osculis.<br />
<br />
Ut ambrosias forment dapes<br />
ad puellum volant apes.<br />
Onerate, flosculi.<br />
<br />
Virginalem is candorem.<br />
Caelo vovet et fervorem<br />
Caritatis exhibet.<br />
<br />
Corde humili, abstinentia,<br />
firma fide, patientia<br />
Deo sese devovet.<br />
<br />
Monstra haeresis perosus,<br />
linquit patriam et pannosus,<br />
regna petit extera.<br />
<br />
Profert arcas auro plenas,<br />
frangat duras quo catenas,<br />
ut lucretur aethera.<br />
<br />
<b>Verse 2</b><br />
<br />
At pecuniis erogatis <br />
pro misellis mancipatis<br />
ipse vendi flagitat.<br />
<br />
Caelo acceptum fuit votum,<br />
quod ut esset cunctis notum,<br />
magna virgo celebrat.<br />
<br />
praebet illi se videndam,<br />
et orandi audiendam. <br />
Manifesto audiendam.<br />
<br />
Sibi dicit fore gratum<br />
filioque si sacratum<br />
sibi condat ordinem.<br />
<br />
Cui captivos liberare,<br />
patriaeque redonare,<br />
cura praecipua.<br />
<br />
Laetus paret Petrus caelo<br />
et alumnos albo velo,<br />
statim suos induit.<br />
<br />
<b>Second section</b><br />
<br />
Queis manere in servitute<br />
si sit opus pro salute<br />
captivorum praecipit.<br />
<br />
O felicem cui fulgentem<br />
praebet virgo se frequentem<br />
atque votis obsequentem.<br />
<br />
Saepe custos angelus.<br />
O beatum cui pasci<br />
inter lilia, cui renasci<br />
caelo licuit, cum nasci,<br />
rex dignatur caelitum.<br />
<br />
<b>Third section</b><br />
<br />
Salve Pater, redemptorum,<br />
cui domina angelorum<br />
dedit gregem captivorum<br />
auferendum canibus.<br />
<br />
Profligata pravitate,<br />
impetrata charitate<br />
fac nos vera libertate,<br />
Petre frui in civitate,<br />
supernorum civium.<br />
<br />
Amen, Alleluya.</poem><br />
<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Francisco_Valls&diff=959138Francisco Valls2019-03-16T12:10:10Z<p>Jonathang: adding "Petrum..."</p>
<hr />
<div>'''Aliases:''' Valls, Francesc<br />
==Life==<br />
'''Born:''' c. 1665? 1671 has recently been proposed.<br />
<br />
'''Died:''' 03 February 1747<br />
<br />
'''Biography:''' Valls was first employed as a parish musician in 1688, then ''maestro de capilla'' at Gerona Cathedral in 1689, and in 1696 at S María del Mar Barcelona. He joined the Barcelona Cathedral in 1696 as substitute, interim, and finally as ''maestro'' in 1709. His retirement is given variously as 1726 or 1741 (the year he began his treatise ''Mapa armonico''). Among lost works are 4 oratorios.<br />
<br />
<br />
{{WikipediaLink}} and [http://ca.wikipedia.org/wiki/Francesc_Valls extended article on Valls] including a list of his published works on the Catalonian edition of Wikipedia.<br />
<br />
==List of choral works (includes all choral works from "Mapa Armónico Práctico)==<br />
{{WorksListBox}}<br />
{{top}}<br />
===Antiphons===<br />
*{{NoCo|Ave Maria}}<br />
*{{NoCo|Ave regina caelorum}}<br />
*{{NoCo|Salve regina a 6}}<br />
*{{NoCo|Salve regina a 11}}<br />
*{{NoCo|Veni electa mea}}<br />
<br />
===Arias, sacred, and other solo works===<br />
*{{NoCo|Ad alligandos reges}}<br />
*{{NoCo|Filii hominum}}<br />
*Gratias agimus tibi (see "mass movements" below)<br />
*Et in spiritum (see Missa Haec in "mass movements" below)<br />
*{{NoCo|Laudate pueri Dominum}}<br />
*{{NoCo|O quam gloriosum}}<br />
*{{NoCo|O rex gloriae}}<br />
*{{NoCo|Petrum charitas nascentem}}<br />
*{{NoCo|Super omnia ligna cedrorum}}<br />
*{{NoCo|Suscipe verbum}}<br />
*{{NoCo|Tibi soli peccavi II}}<br />
<br />
===Canons and fugues, sacred, Latin text===<br />
*{{NoCo|Auditui meo dabis}}<br />
*{{NoCo|Beatam me dicent a 4}}<br />
*{{NoCo|Benedicta tu in mulieribus}}<br />
*{{NoCo|Cor mundum}}<br />
*{{NoCo|Diffusa est gratia}}<br />
*{{NoCo|Domine quinque talenta}}<br />
*{{NoCo|Ecce enim veritatem}}<br />
*{{NoCo|Ecce enim veritatem II}}<br />
*{{NoCo|Specie tua}}<br />
*{{NoCo|Super aspidem et basiliscum ambulabis}}<br />
<br />
===Hymns, Latin text===<br />
*{{NoCo|Deus tuorum militum}}<br />
*{{NoCo|O gloriosa Virginum}}<br />
*{{NoCo|O memoriale mortis}}<br />
*{{NoCo|Pange lingua}}<br />
*{{NoCo|Te Joseph Celebrent}}<br />
*{{NoCo|Te lucis ante terminum}}<br />
<br />
===Invitatories===<br />
*{{NoCo|In honorem beatae Mariae virginis}}<br />
*{{NoCo|Venite exultemus}}<br />
<br />
===Lamentations===<br />
*{{NoCo|De lamentatione Jeremiae}}<br />
<br />
===Canticles===<br />
*{{NoCo|Magnificat}} (incomplete)<br />
*{{NoCo|Magnificat a 8 con violines}}<br />
*{{NoCo|Magnificat a 10}}<br />
*{{NoCo|Magnificat in Dorian mode}} (a 8)<br />
*{{NoCo|Magnificat a 6 in Dorian mode}}<br />
*{{NoCo|Nunc dimittis a 6}}<br />
*{{NoCo|Nunc dimittis a 10}}<br />
<br />
===Mass, full setting of===<br />
*{{NoCo|Missa a 5 (hypodorian mode)}}<br />
*{{NoCo|Mass in Locrian mode}}<br />
{{middle|3}}<br />
===Mass, movements from the===<br />
*{{NoCo|Agnus Dei}} 6vv from ''Mapa Armónico Práctico''<br />
*{{NoCo|Benedictus qui venit}} 4vv pari MAP<br />
*{{NoCo|Christe eleison (Missa Scala Aretina)}} 7vv<br />
*{{NoCo|Cum Sancto Spiritu}} 10vv 2vlni<br />
*{{NoCo|Et incarnatus est}} 8vv (canon in MAP)<br />
*{{NoCo|Et unam sanctam catholicam}} 4vv 2vlni MAP<br />
*{{NoCo|Gratias agimus tibi}} S solo 2vlni (''Missa Ut queant'')<br />
*{{NoCo|Hosanna in excelsis}} 8vv MAP<br />
*{{NoCo|Laudamus te}} 9vv MAP<br />
*{{NoCo|Missa a 11}} (Kyrie and Agnus Dei only)<br />
*{{NoCo|Missa Haec est virgo sapiens}} (Kyrie, Et in spiritum and Benedictus only)<br />
*{{NoCo|Missa regalis}} (Kyrie only)<br />
*{{NoCo|Patrem omnipotentem}} 8vv (breaks off at "…Dominum Jesum Christum.") MAP<br />
<br />
===Motets, choral===<br />
*{{NoCo|Asumente non concisus}} 6vv<br />
*{{NoCo|Ave stella matutina}} 9vv<br />
*{{NoCo|Beata Dei genitrix Maria}} 6vv<br />
*{{NoCo|Beata quae credidisti}} 12vv<br />
*{{NoCo|Beatam me dicent a 12}}<br />
*{{NoCo|Bone pastor}} 8vv<br />
*{{NoCo|Crucem tuam adoramus}} 4vv + violini<br />
*{{NoCo|Dilexisti justitiam}} 8vv<br />
*{{NoCo|Dogma datur}} 6vv<br />
*{{NoCo|Ecce panis angelorum}} 7vv<br />
**see also ''Bone pastor''<br />
*{{NoCo|Et misericordia}} 5vv (Magnificat fragment)<br />
*{{NoCo|Hodie Maria Virgo}} 8vv<br />
*{{NoCo|Lauda Sion salvatorem a 8}}<br />
*{{NoCo|Non est alia natio}} 6vv<br />
*{{NoCo|O sacramentum pietatis}} 3vv<br />
*{{NoCo|O sacrum convivium}} 8vv<br />
*{{NoCo|Qui manducat meam carnem}} 6vv<br />
*{{NoCo|Tota pulchra es}} 4vv<br />
<br />
===Psalms===<br />
*{{NoCo|Confitebor tibi Domine}}<br />
*{{NoCo|Credidi propter quod locutus est}}<br />
*{{NoCo|Cum invocarem}} a 9 (with chirimías and sackbuts)<br />
*{{NoCo|Cum invocarem a 6}}<br />
*{{NoCo|Dixit Dominus}}<br />
*{{NoCo|Domine probasti me}}<br />
*{{NoCo|In exitu Israel}}<br />
*{{NoCo|Laetatus sum}}<br />
*{{NoCo|Laudate Dominum omnes gentes}}<br />
*''Laudate pueri Dominum'' (see "Arias" above)<br />
*{{NoCo|Memento Domine David}}<br />
{{middle|3}}<br />
===Responsories===<br />
*{{NoCo|Domine quando veneris}} 4vv<br />
*{{NoCo|Dulce lignum}}<br />
*{{NoCo|Immolabit haedum}}<br />
*{{NoCo|Iste est qui ante Deum}}<br />
*{{NoCo|Juravit Dominus}}<br />
*{{NoCo|Justus ut palma florebit}}<br />
*{{NoCo|Magnificavit eum}}<br />
*{{NoCo|Maria Magdalena a 14}} with chirimías and sackbuts<br />
*{{NoCo|Peccantem me quotidie}} 4vv<br />
*{{NoCo|Virtute magna reddebant apostoli}} 10vv<br />
<br />
===Sequences===<br />
*{{NoCo|Lauda Sion salvatorem a 10}}<br />
*{{NoCo|Veni sancte spiritus}}<br />
*{{NoCo|Victimae paschali laudes}}<br />
*{{NoCo|Virginalis hortuli}}<br />
<br />
===Te Deum, movements from the===<br />
*{{NoCo|Fiat misericordia}}<br />
*{{NoCo|Incessabili voce proclamant}}<br />
*{{NoCo|In te Domine speravi}}<br />
*{{NoCo|Non confundar in eternum}}<br />
<br />
===Other sacred compositions, or fragments, in Latin===<br />
*{{NoCo|Adorare Dominum}}<br />
*{{NoCo|Benedicta tu in mulieribus II}}<br />
*{{NoCo|Dies magna}}<br />
*{{NoCo|Domine vim patior}}<br />
*{{NoCo|Erravi}}<br />
*{{NoCo|Fulcite me floribus}}<br />
*{{NoCo|Miserere}} 12vv (verse 1)<br />
**{{NoCo|Amplius lava me}} 6vv (verse 3)<br />
**{{NoCo|Tibi soli peccavi}} 6vv (verse 4)<br />
**''Ecce enim veritatem'' see 2 settings under "Canons" above<br />
*{{NoCo|O vos omnes}}<br />
*{{NoCo|Plorans ploravit}}<br />
<br />
===Sacred works in Spanish===<br />
*{{NoCo|Adoren los hombres}}<br />
*{{NoCo|Al combite que Amor hoy previene}}<br />
*{{NoCo|Alegres mudanzas}}<br />
*{{NoCo|Ay de la pena}}<br />
*{{NoCo|Corta las jarcias, corta las velas}}<br />
*{{NoCo|Dios te salve}}<br />
*{{NoCo|Entre golfos de dulzuras}}<br />
*{{NoCo|Ode to Saint Thomas Aquinas}}<br />
*{{NoCo|No son rayos, no}}<br />
*{{NoCo|Que cuando se engendra la perla divina}}<br />
*{{NoCo|¿Qué es lo que me niega Amor?}}<br />
*{{NoCo|Quien será decid}}<br />
*{{NoCo|Tu en un pesebre}}<br />
*{{NoCo|Y así a los serafines}}<br />
*{{NoCo|Ya el sol puede extender}}<br />
<br />
===Theatrical or operatic compositions in Spanish===<br />
*{{NoCo|Chorus of the fates (Salid del Averno)}}<br />
*{{NoCo|Es tan violento el estrago}}<br />
*{{NoCo|Mas ay de mí}}<br />
<br />
===Illustration of choral techniques===<br />
*{{NoCo|Elevación o ascención, gradación y descenso}}<br />
{{bottom}}<br />
{{Whatlinkshere}}<br />
<br />
==Publications==<br />
:'''Extracts from text of "Mapa Armónico Práctico"'''<br />
*[{{website|wimascores}}valls/mapa/valls-comment.pdf Chapter XVI "On cancrizans canons"]<br />
*[http://www.jgoodliffe.co.uk/scores/mapa105.pdf Chapter XIX "On accompaniment and its purpose in music"]<br />
*[{{website|wimascores}}valls/mapa/valls-enhcom.pdf Chapter XXVIII "On the enharmonic style"]<br />
<br />
==External links==<br />
*[http://www.scalaaretina.com ScalaAretina] - Commercial publishers of some of Valls' music.<br />
*[http://www.dinsic.com Dinsic Publicacions Musicals] - Commercial publishers of some of Valls' music.<br />
*[http://www.dicat.csic.es/libmusic.html Consejo Superior de Investigaciones Cientificas] - Publishers of Mapa Armonico Practico.<br />
*[{{website|wimabycomp}}Valls.php Cancrizans compositions by Valls] on Werner Icking Music Archive.<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:1665 births]]<br />
[[Category:1747 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Baroque composers]]<br />
[[Category:Spanish composers]]<br />
[[Category:Catalan composers]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-petrum.sib&diff=959137File:Valls-petrum.sib2019-03-16T12:07:48Z<p>Jonathang: </p>
<hr />
<div></div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-petrum.mid&diff=959136File:Valls-petrum.mid2019-03-16T12:06:32Z<p>Jonathang: </p>
<hr />
<div></div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-petrum.pdf&diff=959135File:Valls-petrum.pdf2019-03-16T12:05:57Z<p>Jonathang: Valls' "Petrum charitas nascentem"</p>
<hr />
<div>== Summary ==<br />
Valls' "Petrum charitas nascentem"</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Revecy_venir_du_Printans_(Claude_Le_Jeune)&diff=957754Revecy venir du Printans (Claude Le Jeune)2019-03-09T15:39:52Z<p>Jonathang: </p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|21866}} [[Media:Lejeune_Revecy.pdf|{{pdf}}]] [[Media:Lejeune_Revecy.mid|{{mid}}]] [[Media:Lejeune_Revecy.mxl|{{XML}}]] [[Media:Lejeune_Revecy.cap|{{Cap}}]]<br />
{{Editor|Gerd Eichler|2010-06-26}}{{ScoreInfo|A4|5|96}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Edition includes the half rests that are omitted in most other editions. {{MXL}}<br />
<br />
*{{PostedDate|2008-02-16}} {{CPDLno|16042}} [[Media:br-599.pdf|{{pdf}}]] [[Media:br-599.mid|{{mid}}]] [[Media:br-599.nwc|{{NWC}}]]<br />
{{Editor|Brian Russell|2008-02-15}}{{ScoreInfo|A4|7|63}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{NWCV}}<br />
<br />
*{{CPDLno|11159}} [[Media:Revecy-venir-du-Printans-Claude-Le-Jeune-long.pdf|{{pdf}}]] [[Media:Revecy-venir-du-Printans-Claude-Le-Jeune-long.ps|{{ps}}]] [[Media:Revecy-venir-du-Printans-Claude-Le-Jeune-saatb.mid|{{mid}}]] [[Media:Lejeune-revecy-du-printemps-long-SSATB-ver5.mxl|{{XML}}]] [[Media:Lejeune-revecy-du-printemps-long-SSATB-ver5.cap|{{Cap}}]] On five pages. Sound files for training, one voice being more pronounced: [[Media:Voices.zip|{{zip}}]](MIDI)<br />
{{Editor|Mark Wenzel|2006-03-25}}{{ScoreInfo|A4|5|230}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
{{ScoreError|Text spelling errors: "la mer" instead of "lamer"; in bar 9, "voi" must be "vol"}}<br />
<br />
*{{CPDLno|11156}} [[Media:Revecy-venir-du-Printans-Claude-Le-Jeune-short.pdf|{{pdf}}]] [[Media:Lejeune-revecy-du-printemps-short-SSATB-ver5.ps|{{ps}}]] [[Media:Lejeune-revecy-du-printemps-short-SSATB-ver5.mid|{{mid}}]] [[Media:Lejeune-revecy-du-printemps-short-SSATB-ver5.mxl|{{XML}}]] [[Media:Lejeune-revecy-du-printemps-short-SSATB-ver5.cap|{{Cap}}]]<br />
{{Editor|Mark Wenzel|2006-03-25}}{{ScoreInfo|A4|4|230}}{{Copy|CPDL}}<br />
:'''Edition notes:''' On four pages. {{MXL}}<br />
<br />
*{{CPDLno|710}} [[Media:ws-leje-rev.pdf|{{Pdf}}]] [[Media:Le_jeune_revecy_710.mid|{{mid}}]] [[Media:Le_jeune_revecy_710.mus|{{mus}}]] (Finale 1998)<br />
{{Editor|Emilio Cano Molina|2000-02-25}}{{ScoreInfo|Letter|6|108}}{{Copy|Personal}}<br />
:'''Edition notes:''' MIDI and Finale files previously hosted on external site. Uploaded to CPDL server 2008-02-01.<br />
<br />
==General Information==<br />
'''Title:''' ''Revecy venir du Printans (also: Revoicy venir du printemps)''<br><br />
{{Composer|Claude Le Jeune}}<br />
{{Lyricist|Jean Antoine de Baïf}}<br />
<br />
{{Voicing|5|SAATB}}<br><br />
{{Genre|Secular|Chansons}}<br />
{{Language|French}}<br />
{{Instruments|A cappella}}<br />
{{Published|}} <br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
<table border="0" cellpadding="5" cellspacing="0" width=100%><br />
<tr><td valign="top"><br />
{{Text|French|<br />
''Refrain:'' Revecy venir du Printans. <br />
::L'amoureuz' et belle saizon.<br />
<br />
Le courant des eaus recherchant, <br />
Le canal d'été s'éclaircît:<br />
Et la mer calme de ces flots, <br />
Amolit le triste courrous:<br />
Le Canard s'égay' se plonjant, <br />
Et se lave coint dedans l'eau<br />
Et la grû' qui fourche son vol, <br />
Retraverse l'air et s'en va.<br />
<br />
''(Refrain)''<br />
<br />
Le Soleil éclaire luizant, <br />
D'une plus sereine clairté:<br />
Du nuage l'ombre s'enfuit, <br />
Qui se ioû' et court et noircît<br />
Et foretz et champs et coutaus, <br />
Le labeur humain reverdît,<br />
Et la prê' decouvre ses fleurs.<br />
<br />
''(Refrain)''<br />
<br />
De Venus le filz cupidon, <br />
L'univers semant de ses trais,<br />
De sa flamme va réchaufér. <br />
Animaus, qui volet en l'air,<br />
Animaus, qui rampet au chams <br />
Animaus, qui naget auz eaus.<br />
Ce qui mesmement ne sent pas, <br />
Amoureux se fond de plaizir.<br />
<br />
''(Refrain)''<br />
<br />
Rion aussi nous: et cherchon <br />
Les ébas et ieus du Printans<br />
Toute chose rit de plaizir: <br />
Sélebron la gaye saizon,<br />
<br />
''(Refrain)''}}<br />
<br />
{{Translation|German|<br />
''Refrain:'' Schau auf die Ankunft des Frühlings.<br />
::Die verliebte und schöne Zeit.<br />
…}}<br />
</td><br />
<br />
<td valign="top"><br />
{{Translation|English|<br />
''Refrain:'' Here again comes the Spring,<br />
::the amorous and fair season.<br />
<br />
The currents of water that seek<br />
The canal in summer become clearer;<br />
And the sea calms her waves,<br />
Softens the sad anger. <br />
The duck, elated, dives in,<br />
And washes itself happily in the water.<br />
And the crane breaks its path,<br />
Crosses back and flies away.<br />
<br />
''(Refrain)''<br />
<br />
The sun shines brightly<br />
With a most serene clarity:<br />
From the cloud the shadow flies<br />
And plays and runs and darkens<br />
And forests and fields and hillsides,<br />
Human labor makes green again,<br />
And the prairie unveils its flowers.<br />
<br />
''(Refrain)''<br />
<br />
From Venus’ son, Cupid,<br />
The universe is seeded in milk,<br />
Is warmed by his flames.<br />
Animals that fly in the air,<br />
Animals that slither in the fields,<br />
Animals that swim in the seas,<br />
Even the unsentient ones,<br />
Once in love, are melted by pleasure.<br />
<br />
''(Refrain)''<br />
<br />
So let us laugh: and let us seek out<br />
The frolicking and the games of Spring<br />
All the world laughs in pleasure:<br />
Let us celebrate the happy season,<br />
<br />
'(Refrain)''}}<br />
</td></tr></table><br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Jean_Antoine_de_Ba%C3%AFf&diff=957738Jean Antoine de Baïf2019-03-09T14:36:38Z<p>Jonathang: creating page for Jean Antoine de Baïf</p>
<hr />
<div><!-- '''Aliases:''' --><br />
==Life==<br />
'''Born:''' 19 February 1532<br />
<br />
'''Died:''' 19 September 1589<br />
<br />
'''Biography'''<br />
<br />
''add biographical data here''<br />
<br />
{{WikipediaLink}}<br />
<br />
==Musical settings of literary works==<br />
{{LyricistSettingsList}}<br />
<br />
==Publications==<br />
<br />
<br />
==External links==<br />
''add web links here''<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Lyricists]]<br />
[[Category:1532 births]]<br />
[[Category:1589 deaths]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=D%27un_coeur_fier_le_refus_cruel_(Claude_Le_Jeune)&diff=957735D'un coeur fier le refus cruel (Claude Le Jeune)2019-03-09T14:29:54Z<p>Jonathang: adding lyricist</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2019-03-06}} {{CPDLno|53467}} [[Media:Coeur_fier.pdf|{{pdf}}]] [[Media:Coeur_fier.mid|{{mid}}]] [[Media:Coeur_fier.enc|{{Enc}}]] <br />
{{Editor|Annie Pousse|2019-03-06}}{{ScoreInfo|A4|3|158}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''D'un coeur fier le refus cruel''<br><br />
{{Composer|Claude Le Jeune}}<br />
{{Lyricist|Jean Antoine de Baïf}}<br />
<br />
{{Voicing|5|SATBB}}<br><br />
{{Genre|Secular|Chansons}}<br />
{{Language|French}}<br />
{{Instruments|A cappella}}<br />
{{Published|}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|French|<br />
D'un coeur fier le refus cruel<br />
M'empli l'âme de feu qui furieus me rend<br />
Et d'un autre le dous acueil<br />
Enflammér de l'amour mon gelé coeur ne peut.<br />
<br />
R.: Ainsi ie sui qui me fuit<br />
<br />
D'un côté le desir me poind,<br />
Cerchant celle qui fuit pour ne me voir mourir,<br />
Mais helas le dédain me tient,<br />
Et nul cas ie ne fais d'une qui m'aime tant.<br />
R.<br />
<br />
O mon sort rigoureus qui fais<br />
En moy tant de douleurs dont ie me sens tuér,<br />
Puis qu'un feu violent me cuit,<br />
Fay qu'il doute le froid, source de mes malheurs<br />
R.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Magnificat_a_6_secundi_toni_(Francisco_Valls)&diff=957610Magnificat a 6 secundi toni (Francisco Valls)2019-03-08T23:25:22Z<p>Jonathang: revised version</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2019-03-06}} {{CPDLno|53470}} [[Media:Valls-magdo6_1.pdf|{{pdf}}]] [[Media:Valls-magdo6_1.mid|{{mid}}]] [[Media:Valls-magdo6.mxl|{{XML}}]] [[Media:Valls-magdo6_1.sib|{{Sib}}]]<br />
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2019-03-06}}{{ScoreInfo|A4|10|89}}{{Copy|CPDL}}<br />
:'''Edition notes:''' The continuo part is lost and has been reconstructed. The score has been transposed down a perfect fourth. {{MXL}}. Revised edition uploaded 08/03/2019<br />
<br />
==General Information==<br />
'''Title:''' ''Magnificat a 6 in Dorian mode''<br><br />
{{Composer|Francisco Valls}}<br />
<br />
{{Voicing|6|ST.SATB}}<br><br />
{{Genre|Sacred|Evening Canticles}}<br />
{{Language|Latin}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' a 6 voice Magnificat in "secundi toni", i.e. Dorian mode. There is also an 8 voice Magnificat in Dorian mode<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{LinkText|Magnificat}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-magdo6_1.sib&diff=957609File:Valls-magdo6 1.sib2019-03-08T23:20:28Z<p>Jonathang: </p>
<hr />
<div></div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-magdo6_1.mid&diff=957608File:Valls-magdo6 1.mid2019-03-08T23:19:21Z<p>Jonathang: </p>
<hr />
<div></div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=File:Valls-magdo6_1.pdf&diff=957607File:Valls-magdo6 1.pdf2019-03-08T23:18:12Z<p>Jonathang: revised version of Valls' magnificat</p>
<hr />
<div>== Summary ==<br />
revised version of Valls' magnificat</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=M%C3%BAsica_Colonial_Archive&diff=914603Música Colonial Archive2018-10-11T12:28:15Z<p>Jonathang: restructuring page</p>
<hr />
<div>[[Image:800px-Guatemala 176.jpg|thumb|400px|Cathedral, Antigua, Guatemala]]<br />
<br />
(''Page maintained by [[Jonathan Goodliffe]]'')<br />
<br />
===Introduction===<br />
<br />
The Música Colonial Archive is an archive of manuscript and printed music originally held at the cathedral in Antigua, Guatemala's former capital city. The archive is now held at the cathedral in Guatemala City, the current capital. Some of the works have been transcribed and some of the transcriptions are available on CPDL. See [http://www.cpdl.org/wiki/index.php/Category:M%C3%BAsica_colonial_scores LIST] here.<br />
<br />
The works date from the 16th to the 18th centuries. A large number of works from the archive have been microfilmed. The microfilm versions, or some of them, have in turn been digitised and are on line at the [http://conan.lib.miamioh.edu/musica/ Música Colonial Management Site], hosted by [http://www.lib.miamioh.edu/ Miami University Libraries]. Musicologist the late [[w:Robert Stevenson (musicologist)|Robert Stevenson]] has carried out considerable research work on the archive. He has transcribed a large number of works included in it. In so doing he appears to have had access to the originals and to many works not included in the Música Colonial Management Site.<br />
<br />
===Composers represented in the archive===<br />
<br />
Most of the composers represented in the archive are of Spanish origin. A small number originate from other European countries and from what are now independent Latin American states. In some cases the identity or nationality of the composer cannot be determined. The archive includes works for which there may be no other source. These include Morales' "Missa sobre las voces" and Ceballos' "Missa octavi toni".<br />
<br />
A list of some of the composers follows.<br />
{{top}}<br />
*[[Gregorio Allegri]]<br />
*[[Pedro Bermúdez]]<br />
*[[Rafael Antonio Castellanos]]<br />
*[[Rodrigo de Ceballos]]<br />
*[[Pierre Colin]]<br />
*[[Juana Inés de la Cruz]]<br />
*[[Matheo de Dallo y Lana]]<br />
*Francisco Davila<br />
*Francisco Delgado<br />
*[[José Durán]]<br />
*[[Sebastián Durón]]<br />
*[[Francisco Escalada]]<br />
*[[Gaspar Fernandes]]<br />
*[[Hernando Franco]]<br />
*[[Francisco de Frías]]<br />
{{middle|4}}<br />
*[[Gabriel Garcia de Mendoza]]<br />
*[[Fabián García Pacheco]]<br />
*[[José Lorenzo Gómez del Valle]]<br />
*[[Gerónimo Gonzales]]<br />
*[[Francisco Guerrero]]<br />
*Juan Hidalgo<br />
*[[Juan Francés de Iribarren]]<br />
*[[Jerusalem, Ignacio de]]<br />
*Leonardo Leo<br />
*Antonio Literes<br />
*[[Filipe da Madre de Deus]]<br />
*Miguel Malanco<br />
*Francisco Maldonado<br />
{{middle|4}}<br />
*Gregorio Mariano de Soberanis<br />
*[[Cristóbal de Morales]]<br />
*[[Muelas, Diego de]]<br />
*[[Juan de Navas]]<br />
*[[José de Nebra]]<br />
*[[Pedro Nolasco Estrada Aristondo]]<br />
*[[Giovanni Pierluigi da Palestrina]]<br />
*[[S. Panini]]<br />
*[[Portell, Manuel Joseph]]<br />
*[[Francisco de Quirós]]<br />
*[[Manuel José de Quirós]]<br />
*[[Pedro Rabaza]]<br />
*[[Juan Matias de Rivera]]<br />
*[[Juan Romero]]<br />
{{middle|4}}<br />
*Pedro Antonio de Roxas<br />
*[[Matías Ruiz]]<br />
*[[Antonio de Salazar]]<br />
*[[Salazar, Diego Joseph]]<br />
*[[Tomás Salgado]]<br />
*Joseph San Juan<br />
*[[Luis Serra]]<br />
*Joseph de la Torre<br />
*[[José de Torres]]<br />
*[[Matías Juan de Veana]]<br />
*[[Tomás de Torrejón y Velasco]]<br />
*[[Tomás Luis de Victoria]]<br />
*Leonardo Vinci<br />
*[[Manuel de Zumaya]] (or Sumaya)<br />
{{bottom}}<br />
<br />
<gallery><br />
GregorioAllegri.png|Gregorio Allegri<br />
juanacruz.jpg|Juana Inés de la Cruz<br />
Francisco_Guerrero.jpg|Francisco Guerrero<br />
Hidalgo.jpg|Juan Hidalgo<br />
Portrait_of_Ignacio_Jerusalem.png|Ignacio Jerusalem<br />
Leonardo_Leo.jpg|Leonardo Leo<br />
morales.jpg|Cristóbal de Morales<br />
Palestrina.jpg|Giovanni Pierluigi da Palestrina<br />
Victoria.jpg|Tomás Luis de Victoria<br />
vinci.jpg|Leonardo Vinci<br />
</gallery><br />
<br />
===Música Colonial Digital Archive===<br />
<br />
[[Image:Muscol1.JPG|thumb|left|300px|The archivist, Luis Herrera]]The Música Colonial project —at [http://www.miamioh.edu Miami University] in Oxford, Ohio— is an initiative to preserve, digitize, and provide online access to mostly handwritten and some printed Colonial times cathedral music scores. The scores have mostly Spanish lyrics with some works in Latin. The collection is in microfilm format. It is archived at the Mesoamerican Center for Regional Research ([http://www.cirma.org.gt CIRMA]) located in Antigua, Guatemala.<br />
[[Image:Tor-misky.jpg|thumb|Image showing poor reproduction of many items in the Guatemala archive]]<br />
The collection was borrowed from CIRMA and brought to the Miami University Libraries in Spring 2002 by professor Mario Ortiz, who was teaching at Miami University at the time. The collection consists of 811 cathedral music works (more than 10,000 pages) by different composers from the colonial times. One of the composers is the famous 17th Century Mexican nun and feminist Sor Juan Inés de la Cruz (see her villancico in the list below). <br />
[[Image:Herm.jpg|thumb|left|Image of printed source illustrating poor condition of Guatemala archive]]<br />
In 2003, a graduate assistant, hired by the library, performed and completed the scanning of the collection from its original microfilm format into TIFF format. In 2004, John Millard and Ting Gan scanned and reprocessed TIFF master files and created encoded copies using DjVu —an open source format that allows high-quality of scanned documents to be stored and made available on the web. Between 2006-2008, Thomas Garcia, professor in the Miami University Department of Music, coordinated a group of students and transcribed selected items. Various fields and methodologies of research can be done on this collection because of its multi-faceted and culturally rich content. The current transcription work available on this site is an excellent example of the type of online collaboration needed to complete the transcription process. The digitized files are available at the [http://conan.lib.miamioh.edu/musica/ Música Colonial Management Site].<br />
<br />
If you are interested in collaborating with us, please contact {{User|Etzoc|Elias Tzoc}}. The ultimate project goals include: provide public access to the collection’s original handwritten music score images, enable online collaboration for the transcription process, and create a more readable and aesthetically presentable version of the files with PDF and MIDI formats.<br />
<br />
===Condition of source material===<br />
<br />
[[Image:Muscol2.jpg|thumb|left|300px|The main collection]]This on line material consisting of some 10,000 pages, is of uneven quality. In some cases the original itself is in poor condition or difficult to read because of fading. In other cases transfer to microfilm has not always been successful and subsequent digitisation of the microfilm has led to further degrading. Much of the material is therefore illegible or legible only with extreme difficulty. Some of the works are incomplete, it seems because pages are missing or have been destroyed or damaged.<br />
<br />
Modern scanned copies of some of the original material, such as it is can, however, be obtained from the Cathedral Archive.<br />
<br />
===Archives elsewhere in Latin America===<br />
<br />
There are musical archives in most Latin American states. See the following [http://www.latinamericanchoralmusic.org/latin-american-music-archives/ general review]. The Metropolitain Cathedral of Mexico have put number of musical manuscripts online [http://musicat.unam.mx/nuevo/adabi.html here]. There is less material than that from Guatemala but the quality of the scans is much better.<br />
<br />
===External links===<br />
<br />
*[http://conan.lib.miamioh.edu/musica/ Música Colonial Management Site]<br />
*[http://dl.acm.org/citation.cfm?id=1065482 Música Colonial: 18th Century Music Score Meets 21st Century Digitalization Technology], a poster by Ting Gan and presented at the 2005 Joint Conference on Digital Libraries.<br />
*[http://mq.oxfordjournals.org/content/LIV/4/475.full.pdf The Afro-American musical legacy to 1800], a published paper by Stevenson<br />
<br />
==List of works available on CPDL==<br />
<br />
A list of the works from the archive which are included in the Choral Public Domain Library will be found [http://www.cpdl.org/wiki/index.php/Category:M%C3%BAsica_colonial_scores here] . They represent a tiny proportion of the total. Most of them have been transcribed from the microfilms. Others, well known works, have been transcribed from other sources.<br />
<br />
Selection of material for transcription has been influenced not only by musical interest but also by whether the online copies are legible or not. So, for instance, the villancicos of José de Torres are mostly legible, whereas the works of other composers may not be.</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Category:M%C3%BAsica_colonial_scores&diff=914602Category:Música colonial scores2018-10-11T12:17:29Z<p>Jonathang: text expanded</p>
<hr />
<div>This page contains scores transcribed from the [http://www.cpdl.org/wiki/index.php/M%C3%BAsica_Colonial_Archive Musica Colonial Archive]. The composers represented may also have other works on CPDL not extracted from the archive. Some composers whose works are included in the archive do not appear on this list because manuscript or original printed source of their works are damaged or illegible.<br />
<br />
These scores represent a small fraction of the original collection at the Cathedral in Guatamala City.</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Ave_Regina_coelorum_(Anonymous)&diff=914601Ave Regina coelorum (Anonymous)2018-10-11T12:13:14Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31211}} [[Media:Anonimo-Ave_Regina_coelorum.pdf|{{pdf}}]] [[Media:Anonimo-Ave_Regina_coelorum.mid|{{mid}}]] [[Media:Anonimo-Ave_Regina_coelorum.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-02-08}}{{ScoreInfo|A4|4|190}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción manuscrito 9-016 de [[Música Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Ave Regina coelorum''<br><br />
{{Composer|Anonymous}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción manuscrito 9-016 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|Ave Regina caelorum}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Missa_O_magnum_mysterium_(Tom%C3%A1s_Luis_de_Victoria)&diff=914600Missa O magnum mysterium (Tomás Luis de Victoria)2018-10-11T12:11:16Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
===Complete Mass===<br />
*{{CPDLno|45941}} [[Media:Victoria-missamyst.pdf|{{pdf}}]] <br />
{{Editor|Francesco Spiga|2017-08-17}}{{ScoreInfo|A4|19|2012}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Based on the 1592 edition. Original pitch and note values with ''Mensurstrich'' layout. Afterword in the Appendix.<br />
<br />
*{{PostedDate|2017-03-23}} {{CPDLno|43716}} [[Media:O_Magnum_Mysterium_Victoria_complete.pdf|{{pdf}}]] [[Media:O_Magnum_Mysterium_Victoria_complete.mxl|{{XML}}]] [[Media:O_Magnum_Mysterium_Victoria_complete.sib|{{Sib}}]] (Sibelius 2)<br />
{{Editor|Clifton Hughes|2017-03-23}}{{ScoreInfo|A4|20|182}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Separate movements from CPDL #10015 and 10022-26 combined into one file, more compact, with a number of errors corrected. {{MXL}}<br />
<br />
* {{CPDLno|30348}} [[Media:Missa_O_Magnum_Mysterium.pdf|{{pdf}}]] [[Media:Missa_O_Magnum_Mysterium.mid|{{mid}}]] [[Media:Missa_O_Magnum_Mysterium.mxl|{{XML}}]] [[Media:Missa_O_Magnum_Mysterium.sib|{{sib}}]] (Sibelius 4) <br />
{{Editor|Brian Marble|2013-10-16}}{{ScoreInfo|Letter|20|210}}{{Copy|CPDL}}<br />
:'''Edition notes:''' In G. {{MXL}}<br />
: Version in A: [[Media:Missa_O_Magnum_Mysterium_in_a.pdf|{{pdf}}]] [[Media:Missa_O_Magnum_Mysterium_in_a.mid|{{mid}}]] [[Media:Missa_O_Magnum_Mysterium_in_a.sib|{{sib}}]] (Sibelius 4) <br />
{{Editor|Brian Marble|2015-07-18}}{{ScoreInfo|Letter|20|215}}{{Copy|CPDL}}<br />
<br />
*{{CPDLno|10020}} [[Media:O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] <br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|33|318}}{{Copy|CPDL}}<br />
:'''Edition notes:''' PDF file is 33 pages long, 319 KB. Transposed up a minor third.<br />
<br />
*{{CPDLno|8206}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4||}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
===Individual movements===<br />
<br />
'''''Kyrie'''''<br />
<br />
*{{CPDLno|10022}} [[Media:1-Kyrie-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:1-Kyrie-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:1-Kyrie-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:1-Kyrie-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|3|34}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}}<br />
<br />
*{{CPDLno|8051}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|1|49}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
'''''Gloria'''''<br />
<br />
*{{CPDLno|10023}} [[Media:2-Gloria-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:2-Gloria-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:2-Gloria-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:2-Gloria-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|7|64}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}} <br />
<br />
*{{CPDLno|8052}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|3|79}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
'''''Credo'''''<br />
<br />
*{{CPDLno|10024}} [[Media:3-Credo-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:3-Credo-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:3-Credo-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:3-Credo-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|12|97}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}}<br />
<br />
*{{CPDLno|8053}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|5|106}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
'''''Sanctus'''''<br />
<br />
*{{CPDLno|10025}} [[Media:4-Sanctus-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:4-Sanctus-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:4-Sanctus-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:4-Sanctus-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|4|42}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}}<br />
<br />
*{{CPDLno|8054}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|2|58}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
'''''Benedictus'''''<br />
<br />
*{{CPDLno|10026}} [[Media:5-Benedictus-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:5-Benedictus-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:5-Benedictus-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:5-Benedictus-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|4|39}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}}<br />
<br />
*{{CPDLno|8055}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|1|47}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
'''''Agnus Dei'''''<br />
<br />
*{{CPDLno|10015}} [[Media:6-Agnus_Dei-O-Magnum-Mysterium-Victoria.pdf|{{pdf}}]] [[Media:6-Agnus_Dei-O-Magnum-Mysterium-Victoria.mid|{{mid}}]] [[Media:6-Agnus_Dei-O-Magnum-Mysterium-Victoria.mxl|{{XML}}]] [[Media:6-Agnus_Dei-O-Magnum-Mysterium-Victoria.sib|{{sib}}]] (Sibelius 4)<br />
{{Editor|John Henry Fowler|2005-12-29}}{{ScoreInfo|Letter|3|39}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed up a minor third. {{MXL}}<br />
<br />
*{{CPDLno|8056}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI & LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4|2|57}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
==General Information==<br />
'''Title:''' ''Missa O Magnum Mysterium (complete)''<br><br />
{{Composer|Tomás Luis de Victoria}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Masses|9=Victoria, Tomas Luis de}}<br />
{{Language|2|Greek|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|''Missae, quattuor, quinque, sex, et octo vocibus concinendae, una cum Antiphonis, Asperges, et Vidi aquam totius anni. Liber secundus.'' 1592}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
*[http://www.uma.es/victoria/1592/1592.html facsimiles of 1592 print]. The triple time at the end of the Gloria begins one measure earlier than in the Alvarez edition.<br />
<br />
==Original text and translations== <br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Christmas]]<br />
[[Category:Renaissance music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Missa_O_quam_gloriosum_(Tom%C3%A1s_Luis_de_Victoria)&diff=914599Missa O quam gloriosum (Tomás Luis de Victoria)2018-10-11T12:10:22Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
<br />
<br />
===Complete Mass===<br />
{{#Legend:}}<br />
*{{PostedDate|2017-11-18}} {{CPDLno|47468}} [[Media:Victoria_Missa_O_quam_with_motet.pdf|{{pdf}}]] [[Media:Victoria_Missa_O_quam_with_motet.mxl|{{XML}}]] [[Media:Victoria_Missa_O_quam_with_motet.capx|{{Capx}}]]<br />
{{Editor|Andrew Sims|2017-11-18}}{{ScoreInfo|A4|28|552}}{{Copy|CPDL}}<br />
:'''Edition notes:''' A bar-less edition of the mass, together with the motet. {{MXL}}<br />
<br />
*{{PostedDate|2017-01-26}} {{CPDLno|42815}} [[Media:Missa_O_Quam_Gloriosum_Victoria_edBE.pdf|{{pdf}}]] <br />
{{Editor|Brian Emig|2017-01-26}}{{ScoreInfo|Letter|33|339}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
* {{CPDLno|31756}} [[Media:Missa_O_Quam_Gloriosum_Victoria.pdf|{{pdf}}]] [[Media:Missa_O_Quam_Gloriosum_Victoria.mid|{{mid}}]] [[Media:Missa_O_Quam_Gloriosum_Victoria.mxl|{{XML}}]] [[Media:Missa_O_Quam_Gloriosum_Victoria.sib|{{sib}}]] (Sibelius 4) <br />
{{Editor|Brian Marble|2014-04-23}}{{ScoreInfo|Letter|23|237}}{{Copy|CPDL}}<br />
:'''Edition notes:''' With Credo; extra Agnus Dei with "dona nobis pacem." {{MXL}}<br />
<br />
*{{CPDLno|8207}} [{{website|Victoria}}/partituras.html {{net}}] PDF, PS, MIDI and LilyPond files<br />
{{Editor|Nancho Alvarez|2004-10-19}}{{ScoreInfo|A4||}}{{Copy|Personal}}<br />
:'''Edition notes:''' Listed under 'Misas'. Full score and individual parts available as midi files.<br />
<br />
===Individual movements===<br />
====Kyrie====<br />
*{{CPDLno|6475}} [http://web.archive.org/web/20040418211518/http:/www.iespana.es/ubisunt/partituras/archivos/repertorio/k/kyrie-oquamgloriosum.pdf {{extpdf}}]<br />
{{Editor|Jose Miguel Galan|2004-01-14}}{{ScoreInfo|A4|2|85}}{{Copy|Personal}}<br />
:'''Edition notes:''' File recovered using the WayBackMachine of http://archive.org<br />
<br />
*{{CPDLno|3745}} [{{website|cipoo_a}} {{net}}] PDF, MIDI and Noteworthy Composer files<br />
{{Editor|Marco Gallo|2002-06-28}}{{ScoreInfo|A4|2|38}}{{Copy|Personal}}<br />
:'''Edition notes:''' listed alphabetically by composer<br />
<br />
====Sanctus====<br />
*{{CPDLno|7540}} [http://www.iespana.es/ubisunt/partituras/partituras.htm {{extpdf}}]<br />
{{Editor|Jose Miguel Galan|2004-07-08}}{{ScoreInfo|A4|3|142}}{{Copy|Personal}}<br />
:'''Edition notes:''' Click on link 'Visualizar por orden alfabetico' under Repertorio de Música Antigua (hasta 1750) then search alphabetically by title. Finale file also viewable via SmartViewer.<br />
<br />
*{{CPDLno|4567}} [{{website|cipoo_a}} {{net}}] PDF, MIDI and Noteworthy Composer files<br />
{{Editor|Marco Gallo|2003-02-03}}{{ScoreInfo|A4|3|60}}{{Copy|Personal}}<br />
:'''Edition notes:''' listed alphabetically by composer<br />
<br />
====Agnus Dei====<br />
*{{CPDLno|4649}} [{{website|cipoo_a}} {{net}}] PDF, MIDI and Noteworthy Composer files<br />
{{Editor|Marco Gallo|2003-02-24}}'{{ScoreInfo|A4|2|39}}{{Copy|Personal}}<br />
:'''Edition notes:''' listed alphabetically by composer<br />
<!--<br />
*{{CPDLno|5579}} {{PermBroken}}[http://www.insuladulcamara.it/Partiture.htm {{net}}]<br />
{{Editor|Roberto Di Cecco|2003-08-26}}{{ScoreInfo|A4|2|}}{{Copy|Personal}}<br />
:'''Edition notes:''' written in original C clefs.<br />
--><br />
<br />
==General Information==<br />
'''Title:''' ''Missa O Quam Gloriosum''<br><br />
{{Composer|Tomás Luis de Victoria}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Masses|9=Victoria, Tomas Luis de}}<br />
{{Language|2|Greek|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
*[http://imslp.org/wiki/Sammlung_ausgezeichneter_Kompositionen_für_die_Kirche_(Various) a minor third higher]<br />
<br />
==Original text and translations== <br />
<br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=El_cantarico_(Tom%C3%A1s_de_Torrej%C3%B3n_y_Velasco)&diff=914598El cantarico (Tomás de Torrejón y Velasco)2018-10-11T12:07:56Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31416}} [[Media:Torrejón_y_Velasco-Cantarico.pdf|{{pdf}}]] [[Media:Torrejón_y_Velasco-Cantarico.mid|{{mid}}]] [[Media:Torrejón_y_Velasco-Cantarico.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-03-06}}{{ScoreInfo|A4|6|231}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], ms. 8-069<br />
<br />
==General Information==<br />
'''Title:''' ''El cantarico''<br><br />
{{Composer|Tomás de Torrejón y Velasco}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SSST}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|}}<br />
<br />
'''Description:''' Transcripción [[Musica Colonial Archive]], mns. 8-069<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Estribillo:''<br />
Cantarico que vas a la fuente,<br />
no te me quiebres <br />
porque lloraré <br />
si me faltas<br />
y tristes los dos<br />
volveremos a casa.<br />
Tú sin el agua <br />
y yo con el agua.<br />
<br />
''Coplas:''<br />
1. Si por agua a la fuente voy cuando lloró,<br />
¿de qué sirve que sean fuentes mis ojos?<br />
<br />
2. A la fuente a estas horas mi amor me lleva.<br />
¿quién ha visto del fuego temer al agua?<br />
<br />
3. Aunque voy a la fuente no voy por agua<br />
porque son del viento mis esperanzas.<br />
<br />
4. Amor, llanto y suspiros mi vida anegan,<br />
¿quién de tanto elemento corrió tormenta?}}<br />
<br />
{{DEFAULTSORT:{{WorkSorter}}}}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Barquero_que_surcas_(Tom%C3%A1s_de_Torrej%C3%B3n_y_Velasco)&diff=914597Barquero que surcas (Tomás de Torrejón y Velasco)2018-10-11T12:05:41Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31522}} [[Media:Torrejon-Barquero_que_surcas.pdf|{{pdf}}]] [[Media:Torrejon-Barquero_que_surcas.mid|{{mid}}]] [[Media:Torrejon-Barquero_que_surcas.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-03-20}}{{ScoreInfo|A4|4|188}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]] ms. 3-005 y 3-006<br />
<br />
==General Information==<br />
'''Title:''' ''Barquero que surcas''<br><br />
{{Composer|Tomás de Torrejón y Velasco}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|1|S}}<br><br />
{{Genre|Sacred|Arias}}<br />
{{Language|Spanish}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]] ms. 3-005 y 3-006<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Latin|<br />
See text on last page of score}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Atenci%C3%B3n_que_para_hacer_(Tom%C3%A1s_de_Torrej%C3%B3n_y_Velasco)&diff=914596Atención que para hacer (Tomás de Torrejón y Velasco)2018-10-11T12:04:57Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|32633}} [[Media:Torrejon_Velasco-Atencion.pdf|{{pdf}}]] [[Media:Torrejon_Velasco-Atencion.mid|{{mid}}]] [[Media:Torrejon_Velasco-Atencion.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-08-06}}{{ScoreInfo|A4|9|213}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción del manuscrito 3-014 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Atención que para hacer''<br><br />
{{Composer|Tomás de Torrejón y Velasco}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SSAT}}<br><br />
{{Genre|Sacred|Unknown}}<br />
{{Language|Spanish}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|1772}}<br />
<br />
'''Description:''' Transcripción del manuscrito 3-014 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Estribillo''<br />
¡Atención!, que, para hacer<br />
en todo cabal la fiesta,<br />
de cuatro iglesias distantes<br />
cuatro sacristanes<br />
llegan con las almas de ''alleluya''<br />
y con los cuerpos de ''requiem æternam''.<br />
<br />
– Yo, de San Francisco,<br />
soy sacristán de aquella iglesia.<br />
– Y yo en la iglesia mayor<br />
también sirvo esa prebenda.<br />
– Yo de la iglesia romana<br />
soy sacristán y de imprenta.<br />
– Y yo, ''per Dominum nostrum'',<br />
lo soy de la iglesia griega.<br />
<br />
¡Pues vaya de lira, pues vaya de fiesta!<br />
Y, pues estamos en ''puribus'' todos,<br />
hoy, con almas devotas de la pureza,<br />
¡en latín y en romance cantemos<br />
al bello Párvulo en verso una letra!<br />
<br />
Coplas<br />
– Si ''Puer natus est nobis'',<br />
es precisa consecuencia <br />
que, como la Iglesia canta,<br />
''nobis datus'' también sea.<br />
¿Qué les parece de este soneto?<br />
– Es non plus ultra; ¡ni Lope de Vega!<br />
<br />
– ''Gloria in altissimis Deo''<br />
cantó el ángel por más señas;<br />
''et pax'', prosigue el concepto,<br />
''hominibus et in terra''.<br />
Digan ustedes, ¿es buen discurso?<br />
– ¡Es un Virgilio por mar y por tierra!<br />
<br />
– Entre dos irracionales <br />
''nascitur'', y es cosa nueva<br />
que esté la sabiduría<br />
''inter iumentum et bestiam''.<br />
¿Puede decirse cosa más alta?<br />
– ¡Es en romance un pozo de ciencia!<br />
<br />
– ''Salvator mundi'' se llama<br />
y es clarísima evidencia, <br />
que hoy ''reditur'' por María,<br />
''vita quam abstulit Æva''.<br />
Este argumento no tiene contra.<br />
– ¡Es, para un canto, valiente cabeza!}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Aladas_jerarqu%C3%ADas_(Tom%C3%A1s_de_Torrej%C3%B3n_y_Velasco)&diff=914595Aladas jerarquías (Tomás de Torrejón y Velasco)2018-10-11T12:04:14Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31778}} [[Media:Torrejon_y_Velasco-Aladas_jerarquias.pdf|{{pdf}}]] [[Media:Torrejon_y_Velasco-Aladas_jerarquias.mid|{{mid}}]] [[Media:Torrejon_y_Velasco-Aladas_jerarquias.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-04-26}}{{ScoreInfo|A4|9|277}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], manuscrito 3-009<br />
<br />
==General Information==<br />
'''Title:''' ''Aladas jerarquías''<br><br />
{{Composer|Tomás de Torrejón y Velasco}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|7|SAT.SATB}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Harp}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]], manuscrito 3-009<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Aladas jerarquías, a quién toca hoy dejar<br />
por campos de esmeraldas, palacios de cristal<br />
volad, corred, venid,<br />
que sube ya inmortal el que venció la muerte, muriendo por amar.<br />
<br />
1. Volad, corred, venid,<br />
pues vuestra dicha estal que merecéis ser<br />
trono a tanta majestad.<br />
<br />
2. Volad, corred, venid,<br />
siendo a su trono real,<br />
si baja la cerviz, el ala pedestal.<br />
<br />
3. Abrid esos palacios, sus puertas elevad,<br />
que aunque no vamás grande,<br />
mayor de cuerpo.<br />
<br />
Volad, corred, venid,<br />
y el camino sembrad con palmas de Setín<br />
con rosas de Senar,<br />
volad, corred, venid!}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Oigan_al_modo_del_Sacris_solemniis_(Mat%C3%ADas_Juan_de_Veana)&diff=914594Oigan al modo del Sacris solemniis (Matías Juan de Veana)2018-10-11T12:02:13Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31525}} [[Media:Veana-Oigan_al_modo_sacris_solemniis.pdf|{{pdf}}]] [[Media:Veana-Oigan_al_modo_sacris_solemniis.mid|{{mid}}]] [[Media:Veana-Oigan_al_modo_sacris_solemniis.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-03-20}}{{ScoreInfo|A4|27|360}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]] ms. 3-005 y 3-006<br />
<br />
==General Information==<br />
'''Title:''' ''Oigan al modo del Sacris solemniis''<br><br />
{{Composer|Matías Juan de Veana}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|8|SATB.SATB}} (''coplas'' for {{vcat|Choral SSAT soli}})<br><br />
{{Genre|Sacred|Arias|Eucharistic songs}}<br />
{{Language|2|Latin|Spanish}}<br />
{{Instruments|Basso continuo and organ}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]] ms. 3-005 y 3-006<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|2|Latin|Spanish|<br />
See text on last page of score}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Missa_a_4_de_quinto_tono_punto_bajo_(Luis_Serra)&diff=914593Missa a 4 de quinto tono punto bajo (Luis Serra)2018-10-11T12:00:12Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
===1. Kyrie===<br />
*{{CPDLno|25279}} [[Media:Ser-misk.pdf|{{pdf}}]] [[Media:Ser-misk.mid|{{mid}}]] [[Media:Ser-misk.mxl|{{XML}}]] [[Media:Ser-misk.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-01-04}} Emendations by Mick Swithinbank. {{ScoreInfo|A4|3|43}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Corrected version uploaded 2012-01-08. {{MXL}}<br />
<br />
===2. Gloria===<br />
*{{CPDLno|25280}} [[Media:Ser-misg.pdf|{{pdf}}]] [[Media:Ser-misg.mid|{{mid}}]] [[Media:Ser-misg.mxl|{{XML}}]] [[Media:Ser-misg.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-01-04}} Emendations by Mick Swithinbank. {{ScoreInfo|A4|5|57}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Corrected version uploaded 2012-01-08. {{MXL}}<br />
<br />
===3. Credo===<br />
*{{CPDLno|25281}} [[Media:Ser-misc.pdf|{{pdf}}]] [[Media:Ser-misc.mid|{{mid}}]] [[Media:Ser-misc.mxl|{{XML}}]] [[Media:Ser-misc.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-01-04}} Emendations by Mick Swithinbank. {{ScoreInfo|A4|9|87}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Corrected version uploaded 2012-01-07. The Credo is now complete. {{MXL}}<br />
<br />
===4. Sanctus===<br />
*{{CPDLno|25294}} [[Media:Ser-miss.pdf|{{pdf}}]] [[Media:Ser-miss.mid|{{mid}}]] [[Media:Ser-miss.mxl|{{XML}}]] [[Media:Ser-miss.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-01-07}}{{ScoreInfo|A4|2|31}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
===5. Benedictus===<br />
Not included in this composition. Probably intended to be sung to a plain 3 part setting.<br />
<br />
===6. Agnus dei===<br />
*{{CPDLno|25305}} [[Media:Ser-misa.pdf|{{pdf}}]] [[Media:Ser-misa.mid|{{mid}}]] [[Media:Ser-misa.mxl|{{XML}}]] [[Media:Ser-misa.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-01-08}} Emendations by Mick Swithinbank. {{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Missa a 4 de quinto tono punto bajo''<br><br />
{{Composer|Luis Serra}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Masses|9=Serra, Luis}}<br />
{{Language|2|Ancient Greek|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' From the [[Música Colonial Archive]]. A four part mass. The words "punto bajo" and the low tessitura of the alto and bass parts suggest that it may have been transposed from an original version in a higher key, perhaps a major second higher, which would have been in C major. The manuscript indicates that the work is by "Maestro Serra". Musicologist Robert Stevenson attributes it to Luis Serra in Grove's dictionary. <br />
<br />
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=9-010.djvu copy of the manuscript], the original of which is in Guatemala Cathedral.<br />
<br />
==Original text and translations==<br />
<br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=El_sacrist%C3%A1n_y_el_monaguillo_(Tom%C3%A1s_Salgado)&diff=914592El sacristán y el monaguillo (Tomás Salgado)2018-10-11T11:58:47Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31527}} [[Media:Salgado-Sacristan_y_monaguillo.pdf|{{pdf}}]] [[Media:Salgado-Sacristan_y_monaguillo.mid|{{mid}}]] [[Media:Salgado-Sacristan_y_monaguillo.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-03-20}}{{ScoreInfo|A4|5|199}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], ms. 8-064<br />
<br />
==General Information==<br />
'''Title:''' ''El sacristán y el monaguillo''<br><br />
{{Composer|Tomás Salgado}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|2|ST}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|}}<br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]], ms. 8-064<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Estribillo:''<br />
''Sacristán (S): ''Atienda el monaguillo.<br />
''Monaguillo (M): ''¿Qué quiere el señor sacristán?<br />
S.: Que cantemos entre los dos una letrilla al nacido.<br />
M: ¿Qué cantaremos, sacristán? pues ya tengo el gaznate preparado con miel y vino para cantar.<br />
S: Yo quiero cantar salmos.<br />
M: Himnos que yo glosaré.<br />
S y M: Pues, señores, escuchen. Va de festejo, vaya de glosa festiva y graciosa y, mientras al Niño le adoran y ofrecen,<br />
sacristán y monaguillo cantemos alegres.<br />
<br />
''Coplas:''<br />
1. Sacristán, puedes confiar, que no cantarás a oscuras, porque en Belén con ternuras iam lucis orto sidere (1)<br />
2. Es gran felicidad de los hombres y así dirá el monaguillo para alegrar al chiquillo: laudate pueri Dominum (2)<br />
3. Mi chiquito está con las bestias y le falta abrigo, aunque esté entre ellas: rector potens verax Deus (3)<br />
4. Esta noche tiene visos de día, baja el ángel cuando Dios está llorando, coeli enarrant gloriam Dei (4)<br />
5. Tiembla el rapaz con el hielo digo de nuevo haciendo pucheros, aunque sobre los cielos está conditor alme siderum (5)<br />
6. Que todo hombre entone fiel aunque más cante cantos con los ángeles: benedictus Dominus Deus Israel (6)<br />
7. Atiéndase al monaguillo de escuela, Virgen y Madre, que, aunque mi voz no os cuadre, os alabo: Ave maris stella (7)<br />
8. Virgen, consuelo de los humanos, si vuestra gracia vivís, mi corazón dirá: Anima mea Dominum (8).<br />
<br />
''Notas: ''<br />
(1) ''Comienzo del himno de la hora de Prima: nacido ya el astro de la luz…''<br />
(2) ''Comienzo del salmo 112: alabad jóvenes al Señor''<br />
(3) ''Comienzo del himno de la hora de Sexta: Rector poderoso, Dios veraz''<br />
(4) ''Versículo del salmo 18: los cielos narran la gloria de Dios ''<br />
(5) ''Comienzo del himno de vísperas: Creador de los astros''<br />
(6) ''Comienzo del himno de Zacarías: Bendito el Señor Dios de Israel ''<br />
(7) ''Himno de vísperas en las fiestas de la Virgen: Ave, estrella del mar ''<br />
(8) ''Parte del texto del Magnificat: [Engrandece] mi alma al Señor.'' }}<br />
<br />
{{DEFAULTSORT:{{WorkSorter}}}}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=A_la_estrella_que_esmalta_(Diego_Jos%C3%A9_de_Salazar)&diff=914591A la estrella que esmalta (Diego José de Salazar)2018-10-11T11:57:47Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|32631}} [[Media:Salazar,_Diego-A_la_estrella.pdf|{{pdf}}]] [[Media:Salazar,_Diego-A_la_estrella.mid|{{mid}}]] [[Media:Salazar,_Diego-A_la_estrella.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-08-06}}{{ScoreInfo|A4|9|250}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción del manuscrito 8-060 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''A la estrella que esmalta''<br><br />
{{Composer|Diego José de Salazar}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|2|SS}}<br><br />
{{Genre|Sacred|Unknown}}<br />
{{Language|Spanish}}<br />
<br />
{{Instruments|Unknown}}<br />
{{Published|1763}}<br />
<br />
'''Description:''' Transcripción del manuscrito 8-060 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Estribillo''<br />
A la estrella que esmalta la esfera,<br />
a la flor que matiza el abril,<br />
al sol claro de cuya pureza<br />
bebe candores el aura sutil,<br />
venid, venid, miradlo subir.<br />
Que la estrella sin niebla de errores,<br />
que la flor que da envidia a las flores,<br />
que el sol bello que vierte candores,<br />
se llevó mis ojos tras sí,<br />
venid, venid, miradlo subir.<br />
<br />
''Copla:''<br />
Cielos mirad el portento<br />
que camina a tu confín;<br />
Flores vengad el diciembre<br />
de la soberbia de abril,<br />
venid, venid, miradlo subir<br />
venid, zagales, miradlo subir.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=El_baratillo_(Mat%C3%ADas_Ruiz)&diff=914590El baratillo (Matías Ruiz)2018-10-11T11:56:06Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31192}} [[Media:Ruiz-El_baratillo.pdf|{{pdf}}]] [[Media:Ruiz-El_baratillo.mid|{{mid}}]] [[Media:Ruiz-El_baratillo.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-02-05}}{{ScoreInfo|A4|17|375}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposición manuscrito 6-073 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''El baratillo''<br><br />
{{Composer|Matías Ruiz}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SSAT}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Other}}<br />
{{Published|}}<br />
<br />
'''Description:''' Manuscrito 6-073 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Atención al baratillo de Belén donde el rebusco<br />
De la pesca y el zebillo anda tode leperusco, <br />
de gala, anzuelo y gatillo.<br />
<br />
Como a los Reyes espera el Niño<br />
Por sisarle los dones andan muy listos.<br />
<br />
Atención, que ya llegan buyendo<br />
Al Baratillo los baratilleros<br />
Alfajor y panocha, gragea, hilo fino, <br />
Tijeras, patos deonce puntos los busco baratos<br />
Para Herodes de un pie que cojea tinta fina, cañones, oblea,<br />
<br />
atención y prosigue la idea <br />
marchante! Un sombrero bueno y grande lo quiero <br />
que es el sol de Belén sin tamaño <br />
una silla, un tintero de estaño<br />
digan que se acaba el año<br />
villancicos que esta noche buena compuso un devoto<br />
¿tiene usted un gabán?<br />
Auque roto, servir puede y es poco su importe<br />
Puntas, busco, el buey tiene un buen corte<br />
<br />
Atención, que prosigue el pregón,<br />
Alfajor y panocha, gragea, hilo fino, tijeras, zapatos<br />
De once puntos los busco baratos<br />
<br />
Para Herodes de un pie que cojea, tinta fina, cañones, oblea<br />
atención y prosigue la idea <br />
marchante! Un sombrero bueno y grande lo quiero <br />
que es el sol de Belén sin tamaño <br />
una silla, un tintero de estaño<br />
villancicos que esta noche buena compuso un devoto<br />
¿tiene usted un gabán?<br />
Auque roto, servir puede y es poco su importe<br />
Puntas busco, el buey tiene un buen corte<br />
La oración, el alcalde este día discreto ha mandado<br />
Que al portal, el bullicio acabado,<br />
se recojan al “Ave Maria”.<br />
<br />
Señor, el cabalero <br />
dice que ha entrado un tesoro<br />
de Arabia, Saba y del oro<br />
que os vino cobrá el dinero.<br />
<br />
Sepa que la alcabala <br />
pagar no deben<br />
cosas de las iglesias y de los reyes<br />
Y quiere el Niño<br />
Fundar en estos<br />
Dones su beneficio.<br />
<br />
Un sacristán perdulario <br />
por el incienso se muere<br />
y estedon a Dios lo quiere<br />
mas no por el incensario.<br />
<br />
Negársele es preciso<br />
Porque parece<br />
Que sin que otro <br />
lo huela quemarlo quiere<br />
Como otros dando<br />
Para el altar el humo y ellos al grano.<br />
<br />
Un boticario se inclina <br />
a la mirra por saber <br />
que aplicada a ti ha de ser<br />
la universal medicina.<br />
<br />
Dice bien, mas por ahora<br />
No ha de probarla<br />
Que para él son dulzuras<br />
Lo que a otro amarga<br />
<br />
Y en su botica <br />
qué diera por las manos <br />
que lo destilan.}}<br />
<br />
{{DEFAULTSORT:{{WorkSorter}}}}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Sacro_numen_dirija_(Juan_Romero)&diff=914589Sacro numen dirija (Juan Romero)2018-10-11T11:55:05Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31195}} [[Media:Romero-Sacro_numen,_Cantada_a_San_Pedro.pdf|{{pdf}}]] [[Media:Romero-Sacro_numen,_Cantada_a_San_Pedro.mid|{{mid}}]] [[Media:Romero-Sacro_numen,_Cantada_a_San_Pedro.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-02-05}}{{ScoreInfo|A4|10|254}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción manuscrito 6-054 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Sacro numen dirija''<br><br />
{{Composer|Juan Romero}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|1|S}}<br><br />
{{Genre|Sacred|Sacred songs}}<br />
{{Language|Spanish}}<br />
{{Instruments|Other}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción manuscrito 6-054 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Del Espíritu Santo hijo te aclama,<br />
con asombro la Iglesia militante<br />
porque arde en ti la enardecida llama<br />
del fuego de su amor siempre brillante,<br />
epíteto glorioso, Pedro santo,<br />
que a la tierra le causa raro encanto.<br />
<br />
Sacro numen dirija <br />
mi voz a tu alabanza,<br />
porque ella no la alcanza <br />
ni sabe qué hacer.<br />
Mortales, alentad <br />
y a Pedro celebrad <br />
por su alta fe.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=De_profundis_(Juan_Romero)&diff=914588De profundis (Juan Romero)2018-10-11T11:54:09Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31194}} [[Media:Romero-De_profundis.pdf|{{pdf}}]] [[Media:Romero-De_profundis.mid|{{mid}}]] [[Media:Romero-De_profundis.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-02-05}}{{ScoreInfo|A4|4|219}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción manuscrito 6-052 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''De profundis''<br><br />
{{Composer|Juan Romero}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|}}<br />
<br />
'''Description:''' Transcripción manuscrito 6-052 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|De profundis (Offertory)}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Missa_a_cuatro_voces_(Juan_Matias_de_Rivera)&diff=914587Missa a cuatro voces (Juan Matias de Rivera)2018-10-11T11:53:01Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
===1. Kyrie===<br />
*{{CPDLno|23772}} [[Media:Mat-mis1.pdf|{{pdf}}]] [[Media:Mat-mis1.mid|{{mid}}]] [[Media:Mat-mis1.mxl|{{XML}}]] [[Media:Mat-mis1.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-19}}{{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
===2. Gloria===<br />
*{{CPDLno|23773}} [[Media:Mat-mis2.pdf|{{pdf}}]] [[Media:Mat-mis2.mid|{{mid}}]] [[Media:Mat-mis2.mxl|{{XML}}]] [[Media:Mat-mis2.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-19}}{{ScoreInfo|A4|3|44}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
===3. Credo===<br />
*{{CPDLno|23774}} [[Media:Mat-mis3.pdf|{{pdf}}]] [[Media:Mat-mis3.mid|{{mid}}]] [[Media:Mat-mis3.mxl|{{XML}}]] [[Media:Mat-mis3.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-20}}{{ScoreInfo|A4|8|74}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
===4. Sanctus===<br />
*{{CPDLno|23777}} [[Media:Mat-mis4.pdf|{{pdf}}]] [[Media:Mat-mis4.mid|{{mid}}]] [[Media:Mat-mis4.mxl|{{XML}}]] [[Media:Mat-mis4.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-20}}{{ScoreInfo|A4|1|24}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
===5. Benedictus===<br />
*{{CPDLno|23778}} [[Media:Mat-mis5.pdf|{{pdf}}]] [[Media:Mat-mis5.mid|{{mid}}]] [[Media:Mat-mis5.mxl|{{XML}}]] [[Media:Mat-mis5.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-20}}{{ScoreInfo|A4|1|19}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Note in bar 6 alto changed from G to F. {{MXL}}<br />
<br />
===6. Agnus dei===<br />
*{{CPDLno|23779}} [[Media:Mat-mis6.pdf|{{pdf}}]] [[Media:Mat-mis6.mid|{{mid}}]] [[Media:Mat-mis6.mxl|{{XML}}]] [[Media:Mat-mis6.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-06-20}}{{ScoreInfo|A4|2|26}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Missa a cuatro voces''<br><br />
{{Composer|Juan Matias de Rivera}}<br />
<br />
{{Voicing|4|SATB}}, some sections for {{Cat|SAAT}}<br><br />
{{Genre|Sacred|Masses|sort=Rivera, Juan Matias de}}<br />
{{Language|2|Ancient Greek|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A four part mass.<br />
<br />
'''External websites:''' From the [[Música Colonial Archive]] which contains a [http://conan.lib.muohio.edu/musica/frame.html?filename=9-014.djvu copy of the manuscript], the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here]. <br />
<br />
==Original text and translations==<br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Una_escuela_de_muchachos_(Manuel_Jos%C3%A9_de_Quir%C3%B3s)&diff=914586Una escuela de muchachos (Manuel José de Quirós)2018-10-11T11:48:56Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|23189}} [[Media:Qui-unm.pdf|{{pdf}}]] [[Media:Qui-unm.mid|{{mid}}]] [[Media:Qui-unm.mxl|{{XML}}]] [[Media:Qui-unm.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2011-02-25}}{{ScoreInfo|A4|16|168}}{{Copy|CPDL}}<br />
:'''Edition notes:''' from the [[Música Colonial Archive]]. {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Una escuela de muchachos''<br><br />
{{Composer|Manuel José de Quirós}}<br />
<br />
{{Voicing|4|SSAT}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Mixed ensemble}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A four part Villancico. The manuscript from which it is drawn is probably a fair copy prepared after the composer's death<br />
<br />
'''External websites:'''<br />
*[http://conan.lib.muohio.edu/musica/frame.html?filename=6-095.djvu Microfilmed manuscript source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
<b>INTRODUCCIÓN</b><br />
<br />
Una escuela de muchachos, a enseñar me ha acomodado, que de muchos años pueden aprender los pocos años. Vengan, vengan corriendo, acudan volando, que a leer enseño un modo agraciado.<br />
<br />
<b>ESTRIBILLO</b><br />
<br />
Tiple solo<br />
<br />
Muchachos, empiesen a leer, a b c d, cuida-do, atención, l, l, m, m, n, n, o, a b c d, a-mor, bondad, crisol, dolor, crisol, dolor, muchachos, prosiga el rumor. Juntad la dicción, y veréis lo que quiere de-cir: a b c d, a b c d, aves se den al maestro esta Pascua, en que al mismo Christus el ave nos dió, l l m m n n o, l l m m n n o, la luz mezcló, niñez, onor, niñez, onor. Eso digo yo, ele pordo viene uno y otro pastor, con pavos, con pollos, ternera y jamón, a regalar al mismo hijo de dios, a b c d, l l m m n n o, amor, bondad, crisol, dolor, la luz mezcló, niñez, onor. Muchachos, prosigan trayendo don don. Cuidado, atención, chitón.<br />
<br />
Coro<br />
<br />
Señor, a b c d, a b c d, l l m m n n o, amor, bondad, crisol, dolor, se den, aves se den, en que al mismo Christus el ave nos dió, l l m m n n o, niñez, onor, la luz mezcló, Se-ñor, d o n n don, atención, chitón.<br />
<br />
<b>COPLAS</b><br />
<br />
Tiple solo<br />
<br />
Vengan a aprender en tan graciosa lección, un saber que del saber, triunfa con la sugeción. O que amonía hace el son de la sonora canción del don, dan din don den.<br />
<br />
Dios en seña con nacer, a sufrir tanto rigor, que el amar yel comprender, y el comprender, prendas de lohumilde son. O que amonía hace el son de la sonora canción del don, dan din don den.<br />
<br />
Coro<br />
<br />
D e r r der, d e r r, der, c i ci o n n on, lección, s s a sa, b e r ber, saber, saber. O que amonía hace el son de la sonora canción del don, dan din don den.<br />
<br />
C e r r cer, c e r r cer, r i ri, g o r r gor, rigor, d d e e r der, comprehender. O que amonía hace el son de la sonora canción del don, dan din don den.}}<br />
<br />
{{DEFAULTSORT:{{WorkSorter}}}}<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Bajelillo_que_al_viento_(Manuel_Jos%C3%A9_de_Quir%C3%B3s)&diff=914585Bajelillo que al viento (Manuel José de Quirós)2018-10-11T11:48:13Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|32630}} [[Media:Quiros-Bajelillo.pdf|{{pdf}}]] [[Media:Quiros-Bajelillo.mid|{{mid}}]] [[Media:Quiros-Bajelillo.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-08-06}}{{ScoreInfo|A4|8|225}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción del manuscrito 7-071 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Bajelillo que al viento''<br><br />
{{Composer|Manuel José de Quirós}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|2|SA}}<br><br />
{{Genre|Sacred|Unknown}}<br />
{{Language|Spanish}}<br />
{{Instruments| Other}}<br />
{{Published|1772}}<br />
<br />
'''Description:''' Transcripción del manuscrito 7-071 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Estribillo<br />
Bajelillo que al viento<br />
das el velaje <br />
buen viaje, buen pasaje<br />
para el cielo caminas<br />
con lindo aire.<br />
<br />
Coplas<br />
1. Por los aires me quitas las glorias de mi<br />
que glorias acá abajo siempre las lleva el aire.<br />
<br />
2. Bejelillo divino que seguro y conste entregaste <br />
a los cielos y a leva disparaste.<br />
<br />
3. Tú que tendiendo velas con las …<br />
la cruz en el árbol las invictas señales.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Sanctus_Deus_(Manuel_Jos%C3%A9_de_Quir%C3%B3s)&diff=914584Sanctus Deus (Manuel José de Quirós)2018-10-11T11:47:24Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2015-03-22}} {{CPDLno|34847}} [[Media:Quiros,_Manuel-Sanctus_Deus.pdf|{{pdf}}]] [[Media:Quiros,_Manuel-Sanctus_Deus.mid|{{mid}}]] [[Media:Quiros,_Manuel-Sanctus_Deus.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2015-03-22}}{{ScoreInfo|A4|5|168}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de particellas manuscritas.<br />
[[Musica Colonial Archive]], mns. 7-069<br />
<br />
==General Information==<br />
'''Title:''' ''Sanctus Deus''<br><br />
{{Composer|Manuel José de Quirós}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments| }}<br />
{{Published|}} <br />
<br />
'''Description:''' [[Musica Colonial Archive]], mns. 7-069<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Latin|<br />
Sanctus Deus fortis, sanctus inmortalis, miserere nobis}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Sancta_Maria_(Francisco_de_Quir%C3%B3s)&diff=914582Sancta Maria (Francisco de Quirós)2018-10-11T11:45:47Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31526}} [[Media:Quiros,_Francisco-Sancta_Maria.pdf|{{pdf}}]] [[Media:Quiros,_Francisco-Sancta_Maria.mid|{{mid}}]] [[Media:Quiros,_Francisco-Sancta_Maria.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-03-20}}{{ScoreInfo|A4|5|1509}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], ms. 9-119<br />
<br />
==General Information==<br />
'''Title:''' ''Sancta Maria''<br><br />
{{Composer|Francisco de Quirós}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]], ms. 9-119<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Latin|<br />
Sancta Maria, succurre miseris,<br />
iuva pusillanimes, <br />
refove flebiles, <br />
ora pro populo, <br />
interveni pro clero, <br />
intercede pro devoto femineo sexu: <br />
sentiant omnes tuum iuvamen, <br />
quicumque celebrant tuam sanctam festivitatem. <br />
Amen.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Qui%C3%A9n_ha_visto_una_azucena_(Manuel_Joseph_Portell)&diff=914580Quién ha visto una azucena (Manuel Joseph Portell)2018-10-11T11:43:56Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|32629}} [[Media:Portell-Quien_ha_visto_azucena.pdf|{{pdf}}]] [[Media:Portell-Quien_ha_visto_azucena.mid|{{mid}}]] [[Media:Portell-Quien_ha_visto_azucena.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-08-06}}{{ScoreInfo|A4|22|224}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción del manuscrito 6-003 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Quién ha visto una azucena''<br><br />
{{Composer|Manuel Joseph Portell}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|7|SAT.SATB}}<br><br />
{{Genre|Sacred|Unknown}}<br />
{{Language|Spanish}}<br />
{{Instruments|2 Violins, Bass}}<br />
{{Published|1767}}<br />
<br />
'''Description:''' Transcripción del manuscrito 6-003 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
- ¿Quién ha visto una azucena<br />
de candidez sin igual,<br />
que en el jardín de la Iglesia<br />
perfumes de gracia da,<br />
que, desprendida<br />
del cariño paternal,<br />
logra de la gracia el riego<br />
abundante y liberal?<br />
- Yo la vi.<br />
- ¿Dónde está tan bella flor?<br />
- Dímelo, dímelo, enséñamela.<br />
- En el [¿cades?] de la gloria<br />
colocada la hallarás,<br />
que desde su concepción<br />
tiene su morada allá,<br />
por ser más hija de gracia<br />
que de la mortalidad.<br />
- Cante, cante la Iglesia,<br />
cante sus glorias<br />
pues llena de gracia está.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Sancta_et_immaculata_virginitas_(S._Panini)&diff=914578Sancta et immaculata virginitas (S. Panini)2018-10-11T11:43:04Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|28768}} [[Media:Pan-san.pdf|{{pdf}}]] [[Media:Pan-san.mid|{{mid}}]] [[Media:Pan-san.mxl|{{XML}}]] [[Media:Pan-san.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2013-04-13}}{{ScoreInfo|A4|3|52}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Sancta et immaculata virginitas ''<br><br />
{{Composer|S. Panini}}<br />
<br />
{{Voicing|2|SS}}<br><br />
{{Genre|Sacred|Motets|Responsories}} vi at {{Cat|Midnight Mass|Matins of Christmas}}<br />
{{Language|Latin}}<br />
{{Instruments|Strings:2 violins, (recorders ad lib) and Basso Continuo}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A motet for two sopranos by a composer of whom nothing is known<br />
<br />
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=5-095.djvu Microfilmed source] from [[Música Colonial Archive]]. (Requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br />
<br />
==Original text and translations==<br />
{{LinkText|Sancta et immaculata virginitas}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=No_son_rayos_(Pedro_Nolasco_Estrada_Aristondo)&diff=914574No son rayos (Pedro Nolasco Estrada Aristondo)2018-10-11T11:40:00Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31373}} [[Media:Estrada_Aristondo-No_son_rayos.pdf|{{pdf}}]] [[Media:Estrada_Aristondo-No_son_rayos.mid|{{mid}}]] [[Media:Estrada_Aristondo-No_son_rayos.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-02-26}}{{ScoreInfo|A4|8|204}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], manuscrito 5-048 <br />
<br />
==General Information==<br />
'''Title:''' ''No son rayos''<br><br />
{{Composer|Pedro Nolasco Estrada Aristondo}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|5|SSAAT}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Other}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]], manuscrito 5-048 <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
No son rayos, sí finas perlas son,<br />
las que enjuga el alba si las llora el sol,<br />
no son rayos, no, flechas son de amor<br />
que hasta de ternura se arma el Niño Dios<br />
contra las durezas de mi corazón.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Con_afecto_y_armon%C3%ADa_(Pedro_Nolasco_Estrada_Aristondo)&diff=914572Con afecto y armonía (Pedro Nolasco Estrada Aristondo)2018-10-11T11:39:03Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|30069}} [[Media:Nol-con.pdf|{{pdf}}]] [[Media:Nol-con.mid|{{mid}}]] [[Media:Nol-con.mxl|{{XML}}]] [[Media:Nol-con.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2013-09-06}}{{ScoreInfo|A4|6|77}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Con afecto y armonía''<br><br />
{{Composer|Pedro Nolasco Estrada Aristondo}}<br />
<br />
{{Voicing|2|SS}}<br><br />
{{Genre|Sacred|Cantatas}}<br />
{{Language|Spanish}}<br />
{{Instruments|String ensemble}}<br />
{{Published|1787}}<br />
<br />
'''Description:''' A 2 part cantata to the same text as that used by [[José de Torres]] in his solo cantata.<br />
<br />
'''External websites:''' From the [[Música Colonial Archive]].[http://conan.lib.muohio.edu/musica/frame.html?filename=5-061.djvu Microfilmed source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here]) <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Caudillo heroico armado,<br />
con blancas armas de esplendores baña el viril,<br />
que es su tienda de campaña,<br />
insignia trae purpurea en el costado,<br />
que aunque el disfraz le encubra, el proprio asido,<br />
memoria de que amor le tiene herido;<br />
su venida aplaudamos,<br />
que en la palestra militante estamos.<br />
<br />
Con afecto, y armonía,<br />
sus hazañas la alegría<br />
reverente aplaudirá.<br />
Pues con alta, confianza,<br />
La oración, y la esperanza.<br />
}}<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Como_en_Galicia_se_dixo_(Pedro_Nolasco_Estrada_Aristondo)&diff=914570Como en Galicia se dixo (Pedro Nolasco Estrada Aristondo)2018-10-11T11:38:02Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|31777}} [[Media:Estrada_Aristondo-Como_en_Galicia.pdf|{{pdf}}]] [[Media:Estrada_Aristondo-Como_en_Galicia.mid|{{mid}}]] [[Media:Estrada_Aristondo-Como_en_Galicia.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-04-26}}{{ScoreInfo|A4|6|236}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de [[Musica Colonial Archive]], manuscrito 5-043<br />
<br />
==General Information==<br />
'''Title:''' ''Como en Galicia se dixo''<br><br />
{{Composer|Pedro Nolasco Estrada Aristondo}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|2|Spanish|Galician}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción de [[Musica Colonial Archive]], manuscrito 5-043<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|2|Spanish|Galician|<br />
Como en Galicia se dixo<br />
que a pagar el Verbo baxa<br />
los gallegos acudieron<br />
a Belén por ver la paga.<br />
<br />
''Estribillo:''<br />
Tanxe a gayta, vaya de festa<br />
ay, Neno meu,<br />
como se alegra.<br />
<br />
''Coplas:''<br />
1. Eu so Dumiño de Araujo,<br />
que con á gayta é a perra<br />
veño a fer a questa pascua<br />
el domingo de sua festa<br />
por tocar, o Nenu Rey,<br />
viñe desde Pontevedra<br />
con zapatiños en cinta<br />
e descalza de pe, é perra.<br />
<br />
2. Tanxe, que veñe á danza<br />
de os galegos y as galegas<br />
folixando as gaytinas<br />
y tocando as castañetas.<br />
<br />
Tanxe que bayla Lucia<br />
con Bartolomé filgueiras<br />
ambos gordos con que o bayle<br />
sera pandeiro y pandeira.<br />
<br />
3. Tanxe o Neno garridiño<br />
que entre as pallas se deita<br />
y parece un faz de trigo<br />
por ó tempo de á siega.<br />
<br />
Tanxe é gardate á mula<br />
que si alguno se le chega,<br />
sole estirarse de [] orellas.<br />
<br />
4. Tanxe por o Rey divino<br />
que es Rey de gente galega<br />
con que dará á sus contrairos<br />
un Santiago en touda guerra.<br />
<br />
Tanxe inda mais folixones,<br />
por la Dona nosa Reyna<br />
tan formosa que seus ollos<br />
serán de os Reyes la estrella.<br />
}}<br />
[[Category:Sheet music]]<br />
[[Category:Classical music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Salve_Regina_(Jos%C3%A9_de_Nebra)&diff=914567Salve Regina (José de Nebra)2018-10-11T11:36:46Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|22665}} [[Media:Neb-sal.pdf|{{pdf}}]] [[Media:Neb-sal.mid|{{mid}}]] [[Media:Neb-sal.mxl|{{XML}}]] [[Media:Neb-sal.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2010-11-21}}{{ScoreInfo|A4|28|161}}{{Copy|CPDL}}<br />
:'''Edition notes:''' from the [[Música Colonial Archive]]. {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Salve regina''<br><br />
{{Composer|José de Nebra}}<br />
<br />
{{Voicing|8|SSAB.SATB}} or {{Cat|SSAT.SATB}}<br><br />
{{Genre|Sacred|Motets}}<br />
{{Language|Latin}}<br />
{{Instruments|String ensemble}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' An 8 part Salve regina. The fourth part in the first chorus can be sung by tenor and/or baritone.<br />
<br />
'''External websites:'''<br />
*[http://conan.lib.muohio.edu/musica/frame.html?filename=8-021.djvu Microfilmed source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br />
<br />
==Original text and translations==<br />
{{LinkText|Salve Regina}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Rompan_los_vagos_espacios_(Jos%C3%A9_de_Nebra)&diff=914566Rompan los vagos espacios (José de Nebra)2018-10-11T11:36:04Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|22911}} [[Media:Neb-rom.pdf|{{pdf}}]] [[Media:Neb-rom.mid|{{mid}}]] [[Media:Neb-rom.mxl|{{XML}}]] [[Media:Neb-rom.sib|{{sib}}]] (Sibelius 5)<br />
{{Editor|Jonathan Goodliffe|2010-12-24}}{{ScoreInfo|A4|17|154}}{{Copy|CPDL}}<br />
:'''Edition notes:''' From the [[Música Colonial Archive]]. Tempo indications and dynamics may have been added to the manuscript at a later date. In bar 104 second violin, the first note has been changed editorially from C to B. Bar 118 has been added editorially. {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Rompan los vagos espacios''<br><br />
{{Composer|José de Nebra}}<br />
<br />
{{Voicing|4|SSAB}} or {{Cat|SSAT}}<br><br />
{{Genre|Sacred|Cantatas}}<br />
{{Language|Spanish}}<br />
{{Instruments|String ensemble}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A four part cantata. The fourth voice part is described as “tenor”, although it seems more appropriate for baritone voices.<br />
<br />
'''External websites:'''<br />
*[http://conan.lib.muohio.edu/musica/frame.html?filename=8-018.djvu Microfilmed source] from Música Colonial (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br />
<br />
==Original text and translations==<br />
{{top}}<br />
{{Text|Spanish|<br />
;Estribillo<br />
''Soprano solo''<br />
Rompan los vagos espacios del viento<br />
cadencias sonoras,<br />
pues de María en la sacra pureza<br />
los hombres se gozan.<br />
<br />
''Tutti''<br />
Rompan los vagos espacios del viento<br />
cadencias sonoras,<br />
pues de María en la sacra pureza<br />
los hombres se gozan.<br />
<br />
Y al culto convocan<br />
la esfera con giros,<br />
la flor con aromas<br />
y el sol con incendios,<br />
y el orbe con glorias.<br />
<br />
Rompan los vagos espacios del viento<br />
cadencias sonoras,<br />
pues de María en la sacra pureza<br />
los hombres se gozan.<br />
<br />
;Coplas<br />
''Alto solo''<br />
'''1.''' Adora, amor divino, pureza tan heroica,<br />
y como a fatigas expresa lo amante,<br />
le ven humanado buscar lo que adora.<br />
<br />
''Tutti''<br />
Si como delicia del cielo la nombra,<br />
rompan los vagos espacios del viento<br />
cadencias sonoras.<br />
<br />
''Alto solo''<br />
'''2.''' La gloria de María mayor alteza goza,<br />
que si antes de amor solo el cielo fue trono,<br />
su heroica pureza del cielo es la gloria.<br />
<br />
''Tutti''<br />
Pues luce en las aras amable y piadosa,<br />
rompan los vagos espacios del viento<br />
cadencias sonoras.<br />
<br />
;Recitado<br />
Delicia del Señor es su hermosura,<br />
su gracia y su pureza,<br />
¡o feliz criatura!,<br />
sin igual en candor y en la belleza,<br />
milagro peregrino,<br />
en quien por alto exceso amor divino<br />
abrevió soberano<br />
premio, alivio y favor para el humano.<br />
<br />
;Area a duo<br />
María es por quien vive<br />
humano nuestro ser.<br />
Alto esplendor recibe,<br />
el que en sus aras logra fallecer.<br />
<br />
;Airoso<br />
Rindanla, póstrenla cultos<br />
obsequios, votos y aromas,<br />
por reina, por madre,<br />
por virgen, y esposa.<br />
Rindanla, póstrenla cultos<br />
obsequios, votos y aromas.}}<br />
{{middle}}<br />
<br />
{{Translation|English|<br />
;Refrain<br />
''Soprano solo''<br />
Let sonorous cadences break through<br />
the empty spaces of the wind,<br />
as men rejoice<br />
in the sacred chastity of Mary.<br />
<br />
''Tutti''<br />
Let sonorous cadences break through<br />
the empty spaces of the wind,<br />
as men rejoice<br />
in the sacred chastity of Mary.<br />
<br />
And to the worship they summon<br />
the spinning sphere,<br />
the scented flower,<br />
and the incandescent sun,<br />
and the glory-filled firmament. [earth, moon, sun and stars?]<br />
<br />
Let sonorous cadences break through<br />
the empty spaces of the wind,<br />
as men rejoice<br />
in the sacred chastity of Mary.<br />
<br />
;Couplets<br />
''Alto solo''<br />
'''1.''' Divine Love adores so heroic chastity,<br />
and as a lover expresses his yearning,<br />
all see Him incarnate to seek what he loves.<br />
<br />
''Tutti''<br />
While He names her Delight of Heaven,<br />
let sonorous cadences break through<br />
the empty spaces of the wind.<br />
<br />
''Alto solo''<br />
'''2.''' Greater highness enjoys Mary's glory,<br />
for if once heaven alone was throne to Love,<br />
her heroic chastity is the glory of heaven.<br />
<br />
''Tutti''<br />
Because she shines on the altar, kind and pious,<br />
let sonorous cadences break through<br />
the empty spaces of the wind.<br />
<br />
;Recitative<br />
Delight of the Lord is her loveliness,<br />
her grace and chastity,<br />
oh happy creature!<br />
Unparalleled in innocence and in beauty,<br />
wandering miracle,<br />
in whom Divine Love has exceedingly<br />
condensed a supreme prize,<br />
relief and favor for humankind. <br />
<br />
;Duet for sopranos<br />
Mary is [the one] for whom<br />
we human beings live.<br />
Great splendor receive those<br />
who come to die at her altar. <br />
<br />
;Final chorus<br />
Surrender to her, prostrate with worships,<br />
gifts, vows and incenses<br />
for the Queen, Mother,<br />
Virgin, and Wife.<br />
Surrender to her, prostrate with worships,<br />
gifts, vows and incenses.<br />
{{Translator|Carlos Augusto Mourão}}}}<br />
{{bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Para_un_triunfo_que_el_orbe_(Jos%C3%A9_de_Nebra)&diff=914564Para un triunfo que el orbe (José de Nebra)2018-10-11T11:35:23Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|27777}} [[Media:Neb-par.pdf|{{pdf}}]] [[Media:Neb-par.mid|{{mid}}]] [[Media:Neb-par.mxl|{{XML}}]] [[Media:Neb-par.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2012-12-12}}{{ScoreInfo|A4|8|115}}{{Copy|CPDL}}<br />
:'''Edition notes:''' {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Para un triunfo que el orbe''<br><br />
{{Composer|José de Nebra}}<br />
<br />
{{Voicing|8|SSAT.SATB}}<br><br />
{{Genre|Sacred|Responsories}}<br />
{{Language|Spanish}}<br />
{{Instruments|String ensemble}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' An 8 part responsory. Very jubilant and lively with syncopated rythm.<br />
<br />
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=8-020.djvu Microfilmed source] from the [[Música Colonial Archive]] (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br><br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Para un triunfo que el orbe festeja alegre, se producen fecundos, muchos laureles. Miren, reparen, adviertan, lleguen, admirando trofeos que resplandecen.<br />
<br />
Y del templo sagrado por gloria penden, gocen, consigan gracias perenes. Cuantos de sus blasones afectos siempre. Si le postran ofrendas cultos previenen. Porque si advierten.<br />
<br />
Para un triunfo que el orbe festeja alegre, se producen fecundos, muchos laureles. Miren, reparen, adviertan, lleguen, admirando trofeos que resplandecen.}}<br />
<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Arom%C3%A1tica_rosa_Americana_(Jos%C3%A9_de_Nebra)&diff=914563Aromática rosa Americana (José de Nebra)2018-10-11T11:34:42Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{CPDLno|29520}} [[Media:Neb-aro2.pdf|{{pdf}}]] [[Media:Neb-aro2.mid|{{mid}}]] [[Media:Neb-aro2.mxl|{{XML}}]] [[Media:Neb-aro2.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|Jonathan Goodliffe|2013-06-26}}{{ScoreInfo|A4|8|83}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Corrected version uploaded 2013-06-28. {{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Aromática rosa Americana''<br><br />
{{Composer|José de Nebra}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Mixed ensemble}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A 4 part villancico. There are 2 others texts to which this music was set, the original setting having apparently been "Suenen, resuenen", but this one seems to have been the most popular.<br />
<br />
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=8-010.djvu Microfilmed source] from the [[Música Colonial Archive]] (requires "Dejavu" software, free download available [http://www.dejavusoftware.com/ here])<br><br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
'''Estribillo'''<br />
Aromática rosa Americana, honor de la iglesia y todo el orbe.<br />
O que flor hermosa, bella, agraciada. Los timbres de tu nombre en voz acorde.<br />
Reina de las flores, ve aquel jardín excelso, es vuestra palma.<br />
Como virgen tan pura y excelente, niña, sube a lograr favores de el omnipotente,<br />
para que le goces, a buscar el lirio entre las flores.<br />
<br />
'''Coplas'''<br />
Esta es la Joya preciosa del Oriente y del Ocaso.<br />
Hoy se llama Rosa del gasofilacio,<br />
pues empleó su vida en un Dios tan alto.<br />
<br />
Fragrantísima Azucena, Nardo eres del Jericó.<br />
Fresca primavera tu hemisferio vio,<br />
Pues tan rozagantes guirnaldas tejió.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Ay,_fino_esposo_(Diego_de_las_Muelas)&diff=914561Ay, fino esposo (Diego de las Muelas)2018-10-11T11:32:00Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|32628}} [[Media:Muelas-Ay_fino_esposo.pdf|{{pdf}}]] [[Media:Muelas-Ay_fino_esposo.mid|{{mid}}]] [[Media:Muelas-Ay_fino_esposo.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-08-06}}{{ScoreInfo|A4|10|258}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción del manuscrito 5-025 de [[Musica Colonial Archive]]<br />
<br />
==General Information==<br />
'''Title:''' ''Ay, fino esposo''<br><br />
{{Composer|Diego de las Muelas}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SSAT}}<br><br />
{{Genre|Sacred|Villancicos|Eucharistic songs}}<br />
{{Language|Spanish}}<br />
{{Instruments|2 violins and continuo}}<br><br />
{{Published|}} <br />
<br />
'''Description:''' Transcripción del manuscrito 5-025 de [[Musica Colonial Archive]]<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Estribillo''<br />
Ay! fino esposo, <br />
ay! dulce dueño,<br />
qué suave es tu yugo,<br />
qué apacible tu imperio,<br />
pues con tu ejemplo<br />
quién lo tiene por dicha la fatiga<br />
cuando tienes la pena por consuelo.<br />
<br />
''Coplas''<br />
1. Amado esposo mío,<br />
divino sacro dueño<br />
que fino pretendiste<br />
que con la mano te entregase el pecho,<br />
<br />
2. Afable dócil llama,<br />
benigno fiel incendio<br />
que compatibles haces<br />
activos tus ardores con mis hielos,<br />
<br />
3. Ya el corazón herido<br />
a impulsos del flechero<br />
sagrado auxilio tuyo<br />
en amorosas ansias siente el fuego.<br />
<br />
4. Por unirse en tus lazos<br />
se exhala ya en afectos<br />
y siente que no ama<br />
todo lo que apetecen tus deseos.<br />
<br />
5. Siente porque no logra<br />
medir de amor lo intenso<br />
por el bien a que aspira<br />
sino por lo que cabe en corto centro.<br />
<br />
6. Recibe dueño hermoso<br />
de aqueste amante incendio<br />
no lo que arde, que es poco<br />
sí lo que arder desea que es inmenso.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Missa_sobre_las_voces_(Crist%C3%B3bal_de_Morales)&diff=914560Missa sobre las voces (Cristóbal de Morales)2018-10-11T11:30:55Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{CPDLno|19743}} [[Media:Mor-voc.pdf|{{pdf}}]] [[Media:Mor-voc.mid|{{mid}}]] [[Media:Mor-voc.mxl|{{XML}}]] [[Media:Mor-voc.sib|{{sib}}]] (Sibelius 5)<br />
{{Editor|Jonathan Goodliffe|2009-07-12}}{{ScoreInfo|A4|26|188}}{{Copy|CPDL}}<br />
:'''Edition notes:''' from the [[Música Colonial Archive]]. Corrected version uploaded 2009-10-10. Changes are (i) to bars 63 to 71, tenor part, suggested by Patrick Melling of St Patrick's Basilica, Fremantle, to correct apparent mistake in original source and (ii) mistakes in transcription of the Credo pointed out and some accidentals suggested by Tamas Varkonyi from Budapest, Hungary.<br />
:{{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Missa sobre las voces''<br><br />
{{Composer|Cristóbal de Morales}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Masses|9=Morales, Cristóbal de}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A mass in the "super voces musicales" style, i.e. on the hexachord: ut, re, mi, fa, sol, la. Tamas Varkonyi has prepared an alternative prosody for this work.<br />
<br />
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=9-003.djvu copy of the manuscript] which can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here]. <br />
<br />
==Original text and translations==<br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Cantad_llorando_este_d%C3%ADa_(Filipe_da_Madre_de_Deus)&diff=914559Cantad llorando este día (Filipe da Madre de Deus)2018-10-11T11:29:42Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2014-12-30}} {{CPDLno|33977}} [[Media:Mad-can2.pdf|{{pdf}}]] [[Media:Mad-can2.mid|{{mid}}]] [[Media:Mad-can2.mxl|{{XML}}]] [[Media:Mad-can2.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2014-12-30}}{{ScoreInfo|A4|6|62}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transposed down a perfect 4th from original pitch. {{MXL}}<br />
<br />
*{{PostedDate|2014-12-30}} {{CPDLno|33976}} [[Media:Mad-can.pdf|{{pdf}}]] [[Media:Mad-can.mid|{{mid}}]] [[Media:Mad-can.mxl|{{XML}}]] [[Media:Mad-can.sib|{{sib}}]] (Sibelius 5) <br />
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2014-12-30}}{{ScoreInfo|A4|6|65}}{{Copy|CPDL}}<br />
:'''Edition notes:''' At original pitch. A number of editorial corrections have been made. These are shown in this version of this work (not in the transposed version).<br />
:{{MXL}}<br />
<br />
==General Information==<br />
'''Title:''' ''Cantad llorando este día''<br><br />
{{Composer|Filipe da Madre de Deus}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SSAT}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments|Basso continuo}}<br />
{{Published|Not known}}<br />
<br />
'''Description:''' A four part villancico. The music is a poor fit to the text. Perhaps there was an earlier version of the text, possibly in Portuguese.<br />
<br />
'''External websites:'''<br />
<br />
*From the [[Musica Colonial Archive]].<br />
*Microfilm of [http://conan.lib.muohio.edu/musica/frame.html?filename=4-089.djvu original manuscript]. This link requires "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].<br />
<br />
==Original text and translations==<br />
<br />
{{Text|Spanish|<br />
Cantad llorando este día,<br />
que se ausenta nuestro bien,<br />
y al verle volar al cielo,<br />
el llanto fue de placer.<br />
<br />
Sentir su ausencia el amor,<br />
bien debe mas ha de ser,<br />
con regocijos aplaudan<br />
de su victoria el laurel,<br />
<br />
Por eso de admiraciones,<br />
el cielo se llena al ver,<br />
que triunfante de la muerte<br />
sube coronado rey.<br />
<br />
Sus cortesanos alegres,<br />
abren las puertas porque,<br />
a todo el género humano<br />
las ha abierto su poder.<br />
<br />
Que sentir su partida,<br />
al verle ascender<br />
es la fineza que obtentó<br />
<br />
el amor fiel, la fineza,<br />
que tiernos le pueden hacer.<br />
Es sentir su partida,<br />
al verle ascender.}}<br />
<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Qu%C3%A9_admir%C3%A1is,_mortales_(Ignacio_de_Jerusalem)&diff=914555Qué admiráis, mortales (Ignacio de Jerusalem)2018-10-11T11:28:20Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2014-11-22}} {{CPDLno|33465}} [[Media:Jerusalem-Que_admirais,_mortales.pdf|{{pdf}}]] [[Media:Jerusalem-Que_admirais,_mortales.mid|{{mid}}]] [[Media:Jerusalem-Que_admirais,_mortales.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-11-22}}{{ScoreInfo|A4|8|162}}{{Copy|CPDL}}<br />
:'''Edition notes:''' [[Musica Colonial Archive]], mans. 4-039<br />
<br />
==General Information==<br />
'''Title:''' ''Qué admiráis, mortales''<br><br />
{{Composer|Ignacio de Jerusalem}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments| }}<br />
{{Published|}} <br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Qué admiráis, mortales, decid,<br />
qué os suspende con faustos triunfales?<br />
nuestro Adán segundo<br />
de la lid del mundo<br />
victorioso asciende.<br />
<br />
Del modo que sube triunfante y lustroso <br />
en radiante nube vendrá riguroso.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Despierta,_Bato_(Ignacio_de_Jerusalem)&diff=914553Despierta, Bato (Ignacio de Jerusalem)2018-10-11T11:27:46Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2014-11-22}} {{CPDLno|33463}} [[Media:Jerusalem-Despierta,_Bato.pdf|{{pdf}}]] [[Media:Jerusalem-Despierta,_Bato.mid|{{mid}}]] [[Media:Jerusalem-Despierta,_Bato.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2014-11-22}}{{ScoreInfo|A4|11|236}}{{Copy|CPDL}}<br />
:'''Edition notes:''' [[Musica Colonial Archive]], mans. 4-045<br />
<br />
==General Information==<br />
'''Title:''' ''Despierta, Bato''<br><br />
{{Composer|Ignacio de Jerusalem}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|3|SAT}}<br><br />
{{Genre|Sacred|Villancicos}}<br />
{{Language|Spanish}}<br />
{{Instruments| }}<br />
{{Published|}}<br />
<br />
'''Description:''' [[Musica Colonial Archive]], mans. 4-045<br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
''Recitativo:''<br />
Despierta, Bato dormilón, villano, y llama a Gila<br />
que siempre está roncando.<br />
Qué me quieres? que estás refunfuñando?<br />
escuchad un lucido ángel que advierte<br />
que en sueños muestra sin hacernos daño,<br />
canta y llena de luces el rebaño<br />
las chispas me soflaman el cogote,<br />
a mí la luz me ha quemado todo el cortijo<br />
mirasteis lo que dijo<br />
un zagalejo oí que había nacido en Belén<br />
pues hagamos el cumplido<br />
llevando a su merced<br />
y a la parida <br />
de nuestro afecto pobre a la medida<br />
algo que la regale y con que coma,<br />
Un corderillo toma <br />
mientras lleno de leche<br />
un cantarillo<br />
yo le daré al chiquillo <br />
un pellizo también<br />
con que se arrope,<br />
<br />
Vamos allá los tres<br />
por que se tope<br />
toda nuestra ventura<br />
con tan linda Criatura.<br />
<br />
''Aria:''<br />
Ay, qué chiquito tan pulidito,<br />
Ay, qué mejillas tan rosadillas<br />
Ay, qué precioso, niño gracioso,<br />
ay que al miralle, <br />
por alivialle <br />
de tanto penar<br />
ay, que su madre <br />
le puede arrullar,<br />
<br />
Tome un pellico,<br />
mi pastorcico<br />
esa quesada que es regalada,<br />
esas rosquillas<br />
bien cocidillas<br />
y su grandeza,<br />
nuestra llaneza <br />
podrá perdonar<br />
porque al rebaño <br />
es preciso tornar.}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathanghttps://www.cpdl.org/wiki/index.php?title=Vaya_de_x%C3%A1cara_(Juan_Franc%C3%A9s_de_Iribarren)&diff=914552Vaya de xácara (Juan Francés de Iribarren)2018-10-11T11:26:26Z<p>Jonathang: category</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2015-01-25}} {{CPDLno|34413}} [[Media:Iribarren-Vaya_de_xacara.pdf|{{pdf}}]] [[Media:Iribarren-Vaya_de_xacara.mid|{{mid}}]] [[Media:Iribarren-Vaya_de_xacara.enc|{{Enc}}]] <br />
{{Editor|José Ignacio Pérez Purroy|2015-01-25}}{{ScoreInfo|A4|21|302}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcripción de particellas manuscritas. [[Musica Colonial Archive]], mns. 8-085<br />
<br />
==General Information==<br />
'''Title:''' ''Vaya de xácara''<br><br />
{{Composer|Juan Francés de Iribarren}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|6|SA.SATB}}<br><br />
{{Genre|Sacred|Other}}<br />
{{Language|Spanish}}<br />
{{Instruments| }}<br />
{{Published|1764}}<br />
<br />
'''Description:''' [[Musica Colonial Archive]], mns. 8-085<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Text|Spanish|<br />
Vaya de xácara, vaya,<br />
que sirva de tonadilla<br />
vaya de xacarandaina,<br />
oigan cosas misteriosas<br />
oigan cosas peregrinas<br />
a la li, la.<br />
<br />
Escuchen todos los tristes,<br />
los que en este mundo habitan<br />
la historia de una manzana<br />
que fue cara golosina<br />
oigan cosas…<br />
<br />
1. Eva por saber curiosa <br />
con ella Adán le convida;<br />
por curiosa una mujer<br />
echará a perder mil vidas<br />
en esa manzana el fruto<br />
ya por dañado estaría.<br />
no estuvo en la fruta el daño<br />
aunque en ella el daño estaba<br />
<br />
2. Todos tuvieron la culpa<br />
y Adán busca la justicia;<br />
la culpa de la mujer<br />
lleva el hombre a sus costillas<br />
mucho sintió este ¿delito?<br />
la Magestad más divina.<br />
y tanto que ¿mediaría?,<br />
salió la sabiduría,<br />
<br />
3. En un pesebre a nacido<br />
lleno de gloria infinita.<br />
Esa gloria con pasión<br />
ya la trocará algún día<br />
De una estrella dirigidos<br />
tres a adorarle se humillan.<br />
Ellos son tres y él es uno<br />
y en oro a tres a…<br />
<br />
4. El primero trae incensio,<br />
bien me huele, cosa linda,<br />
oro el segundo muy fino<br />
y el tercero trae mirra<br />
eso no me huele bien<br />
que amargura pronostica<br />
y aquí se queda la historia<br />
por ahora la…}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Música colonial scores]]</div>Jonathang