Talk:Magnificat and Nunc dimittis in E (Samuel Sebastian Wesley)

2861

Bar 5: Alto - Fs, rather than Es on soul doth seems more likely, since Alto in unison with TB.
Bar 14: Alto - should be D natural.
Bars 14-15: Bass - transposed up a 3rd.
Bar 34: S1 & S2 - regared for regarded.
Bar 56: Tenor - missing underlay, -hold.
Bars 58-59: Tenor - missing notes and underlay.
Bars 61-63: Tenor - underlay shifted right.
Bar 74: LH: A flat on 4th beat.
Bar 99: Bass - on for is.
Bar 103: LH - G sharp minim should probably be a crotchet.
Bars 103-114: Voicing unclear.
Bar 115: LH - semibreve rest for minim rest.
Bar 132: RH - E minim should possibly be a crotchet.
Bar 136: RH - D minim should possibly be a crotchet.
Bar 195: Alto - should be D, not E.
Bar 197: Bass Dec. - semibreve C should probably be a minim.
Bar 199: Soprano Dec - D sharp should be D natural.
Bars 202-203: Alto Dec - C should be B in both bars.
Bars 212-213: LH - CCBC should be EEDE.
Bar 216: Alto - E should be D sharp.
Bar 221: Alto - C on Ho- should be B.
Bar 234: LH - Missing minim rest before the Ped. entry.
Bar 252: all parts - misplaced barline.
Bar 275: RH - the courtesy natural should be on D, not E.
Bar 279: Alto - F natural semibreve should be a minim.
Bar 308: RH - should be FBF, not GBF.
Bar 309: Soprano I - dotted minim on end should be dotted semibreve.
Bar 312: LH - dotted semibreve should probably not be dotted.
Bar 316: LH - lower B should probably be A.
Jamesgibb (talk) 14:30, 9 August 2014 (UTC)

I hope a good source is available somewhere! Are the 2nd & 3rd alto notes really E's? Richard Mix (talk) 21:52, 11 August 2014 (UTC)