Absence, hear thou my protestation (Thomas Morley): Difference between revisions

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*{{CPDLno|16208}} [{{filepath:474.pdf}} {{pdf}}] [{{website|brianrussell}}474.mid {{mid}}] [{{website|brianrussell}}474.nwc {{NWC}}] (NoteWorthy Composer)
*{{CPDLno|16208}} [[Media:474.pdf|{{pdf}}]] [{{website|brianrussell}}474.mid {{mid}}] [{{website|brianrussell}}474.nwc {{NWC}}] (NoteWorthy Composer)
{{Editor|Brian Russell|2008-02-19}}{{ScoreInfo|A4|2|22}}{{Copy|CPDL}}
{{Editor|Brian Russell|2008-02-19}}{{ScoreInfo|A4|2|22}}{{Copy|CPDL}}
:'''Edition notes:''' {{NWCV}}
:'''Edition notes:''' {{NWCV}}

Revision as of 18:58, 17 August 2016

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  • CPDL #16208:    Icon_snd.gif Nwc.png (NoteWorthy Composer)
Editor: Brian Russell (submitted 2008-02-19).   Score information: A4, 2 pages, 22 kB   Copyright: CPDL
Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.

General Information

Title: Absence, hear thou my protestation
Composer: Thomas Morley

Number of voices: 1v   Voicing: T

Genre: SecularPartsong

Language: English
Instruments: Lute

Published: 1600

Description: #14 from Morley's First Book of Ayres.

External websites:

Original text and translations

English.png English text

Absence, hear thou my protestation
Against thy strength,
Distance and length:
Do what thou canst for alteration;
For hearts of truest mettle
Absence doth join, and time doth settle.

Who loves a mistress of such quality,
He soon hath found
Affection's ground
Beyond time, place, and all mortality.
To hearts that cannot vary
Absence is present, time doth tarry.

My senses want their outward motions,
Which now within
Reason doth win
Redoubl'd in her secret notions;
Like rich men that take pleasure
In hiding, more than handling, treasure.

By absence this good means I gain,
That I can catch her
Where none can watch her,
In some close corner of my brain.
There I embrace and kiss her,
And so I both enjoy and miss her.