Alle guancie di rose, Dialogo à 8 (Andrea Gabrieli): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2019-12-14}} {{CPDLno|56285}} [[Media:14-gabrieli--a_le_guancie_di_rose----0-score.pdf|{{pdf}}]] [[Media:14-gabrieli--a_le_guancie_di_rose----0-score.midi|{{mid}}]] [[Media:14-gabrieli-madrigal-a8-a_le_guancie_di_rose-source.zip|{{ | *{{PostedDate|2019-12-14}} {{CPDLno|56285}} [[Media:14-gabrieli--a_le_guancie_di_rose----0-score.pdf|{{pdf}}]] [[Media:14-gabrieli--a_le_guancie_di_rose----0-score.midi|{{mid}}]] [[Media:14-gabrieli--a_le_guancie_di_rose----0-score.mxl|{{XML}}]] [[Media:14-gabrieli-madrigal-a8-a_le_guancie_di_rose-source.zip|{{zip}}]] (LilyPond) | ||
{{Editor|Allen Garvin|2019-12-14}}{{ScoreInfo|Letter|6|115}}{{Copy|Creative Commons Attribution Non-Commercial}} | {{Editor|Allen Garvin|2019-12-14}}{{ScoreInfo|Letter|6|115}}{{Copy|Creative Commons Attribution Non-Commercial}} | ||
: | :{{EdNotes|}} | ||
*{{PostedDate|2018-01-22}} {{CPDLno|48524}} [[Media:Andrea-Gabrieli-ale-guancie-di-rose.pdf|{{pdf}}]] [[Media:Andrea-Gabrieli-ale-guancie-di-rose.mid|{{mid}}]] [[Media:Andrea-Gabrieli-ale-guancie-di-rose.ly|{{Ly}}]] | *{{PostedDate|2018-01-22}} {{CPDLno|48524}} [[Media:Andrea-Gabrieli-ale-guancie-di-rose.pdf|{{pdf}}]] [[Media:Andrea-Gabrieli-ale-guancie-di-rose.mid|{{mid}}]] [[Media:Andrea-Gabrieli-ale-guancie-di-rose.mxl|{{XML}}]] [[Media:Andrea-Gabrieli-ale-guancie-di-rose.ly|{{Ly}}]] | ||
{{Editor|Andreas Stenberg|2018-01-22}}{{ScoreInfo|A4|12|1690}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2018-01-22}}{{ScoreInfo|A4|12|1690}}{{Copy|CPDL}} | ||
: | :{{EdNotes|demi diplomatic edition, full score and separate scores of each of the two choirs.}} | ||
==General Information== | ==General Information== | ||
Line 15: | Line 15: | ||
{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|8 | {{Voicing|8|SATB.SATB}} | ||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|Italian}} | {{Language|Italian}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1587|in {{NoComp|Concerti di Andrea et di Giovanni Gabrieli|Andrea and Giovanni Gabrieli}}|no=2.58}} | {{Pub|1|1587|in {{NoComp|Concerti di Andrea et di Giovanni Gabrieli|Andrea and Giovanni Gabrieli}}|no=2.58}} | ||
{{Pub|2|1588|in {{NoComp|Gemma musicalis liber primus|Friedrich Lindner}} (Friedrich Lindner)|no=4}} | |||
{{Pub|3|1596|in {{NoComp|Madrigali a otto voci|Pierre Phalèse}} (Pierre Phalèse)|no=5|pg=5}} | |||
{{Descr|A two choir dialogue Madrigal.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top|width=80%}} | {{top|width=80%}} | ||
{{Text|Italian|Choro Primo: | {{Text|Italian|Choro Primo: | ||
Alle guancie di rose | |||
Ai crin di fila d'oro | |||
Ohime, Ohime che non mi fido, | |||
Ch'esser non possi tu l'empio cupido: | |||
Ch'esser non possi tu, | |||
[Ch'esser non possi tu] l'empio Cupido: | |||
Choro Secondo: | Choro Secondo: | ||
Son del piu nobil choro, | |||
Son del piu nobil choro, | |||
Un semplic' Angioletto, | |||
Un semplic' Angioletto, | |||
Ariso à gioc' eletto, | |||
Ariso, Ariso à gioc' eletto, à gioc' eletto, | |||
Choro Primo: | |||
Ma in quest' herbett' ascose | |||
Di cui tant' arme sono? | |||
Ahi, ahi arco e strali, | |||
Cagion di tanti mali | |||
Choro Secondo: | Choro Secondo: | ||
Miei nò, | |||
Choro Primo: | Choro Primo: | ||
che nò? | |||
Ch.2: | Ch.2: | ||
che nò? | che nò? | ||
Ch.1: | Ch.1: | ||
son tuoi, | |||
Ch.2: | Ch.2: | ||
son tuoi | |||
Ch.1: | Ch.1: | ||
C'hor ti conosco, | |||
Ch.2: | Ch.2: | ||
C'hor ti conosco | |||
Ch.1: | Ch.1: | ||
poi che ti rimiro, | |||
Ch.2: | Ch.2: | ||
poi che ti rimiro, | |||
Ch.1: | Ch.1: | ||
e sei stratio e furore, | |||
Ch.2: | Ch.2: | ||
e sei stratio e furore. | |||
Ch.1: | Ch.1: | ||
Benche ti chiami, | |||
Ch.2: | Ch.2: | ||
Benche ti chiami, | |||
Ch.1: | Ch.1: | ||
Benche ti chiami, | |||
Ch.2: | Ch.2: | ||
il sciocco Volg' Amore. | |||
Ch.1: | Ch.1: | ||
il sciocco Volg' Amore, | |||
Ch.2: | Ch.2: | ||
e sei stratio e furore, | |||
Ch.1: | Ch.1: | ||
e sei stratio e furore. | |||
Ch.2: | Ch.2: | ||
Benche ti chiami, | |||
Ch.1: | Ch.1: | ||
Benche ti chiami, | |||
Ch.2: | Ch.2: | ||
Benche ti chiami, | |||
Ch.1: | Ch.1: | ||
il sciocco Volg' Amore. | |||
Ch.2: | Ch.2: | ||
il sciocco Volg' Amore, | |||
Ch.1: | Ch.1: | ||
il sciocco Volg' Amore. | |||
Ch.2: | Ch.2: | ||
il sciocco Volg' Amore, | |||
Ch.1: | Ch.1: | ||
il sciocco Volg' Amore. | |||
}} | }} | ||
{{middle}} | {{middle}} | ||
{{Translation|English|First choir: | {{Translation|English|First choir: | ||
To The rosy cheeks, | |||
To the golden row of tresses. | |||
Oh, Oh, I do not trust | |||
That you may not be misled by the wicked cupid: | |||
That you can not, | |||
That you can not withstand the wicked Cupid: | |||
Second choir: | Second choir: | ||
Voice out of the noblest of choirs, | |||
Voice out of the noblest of choirs, | |||
A simple little angel, | |||
A simple little angel, | |||
My singing and joking chosen, | |||
My Singing, singing and joking chosen, and joking chosen, | |||
First choir: | First choir: | ||
But in these woods filled of herbs, | |||
Whence comes the sound of arms? | |||
Oh, Oh, the Bow and darts, | |||
Cause of so much evil. | |||
Second choir: | Second choir: | ||
Not mine! | |||
Ch. 1: | Ch. 1: | ||
What? no? | |||
Ch.2: | Ch.2: | ||
What? no! | What? no! | ||
Ch.1: | Ch.1: | ||
It's you, | |||
Ch.2: | Ch.2: | ||
It's you, | |||
Ch.1: | Ch.1: | ||
I know this hour, | |||
Ch.2: | Ch.2: | ||
I know this hour, | |||
Ch.1: | Ch.1: | ||
As I'll leave you, | |||
Ch.2: | Ch.2: | ||
As I'll leave you, | |||
Ch.1: | Ch.1: | ||
And you are desperate and furious, | |||
Ch.2: | Ch.2: | ||
And you are desperate and furious. | |||
Ch.1: | Ch.1: | ||
And call yourself, | |||
Ch.2: | Ch.2: | ||
And call yourself, | |||
Ch.1: | Ch.1: | ||
And call yourself, | |||
Ch.2: | Ch.2: | ||
A fool, to follow Love. | |||
Ch.1: | Ch.1: | ||
A fool, to follow Love, | |||
Ch.2: | Ch.2: | ||
And you are desperate and furious, | |||
Ch.1: | Ch.1: | ||
And you are desperate and furious. | |||
Ch.2: | Ch.2: | ||
And call yourself, | |||
Ch.1: | Ch.1: | ||
And call yourself, | |||
Ch.2: | Ch.2: | ||
And call yourself, | |||
Ch.1: | Ch.1: | ||
A fool, to follow Love. | |||
Ch.2: | Ch.2: | ||
A fool, to follow Love, | |||
Ch.1: | Ch.1: | ||
A fool, to follow Love. | |||
Ch.2: | Ch.2: | ||
A fool, to follow Love, | |||
Ch.1: | Ch.1: | ||
A fool, to follow Love. | |||
{{Translator|A. Stenberg (somewhat freely translated)}} | {{Translator|A. Stenberg (somewhat freely translated)}} | ||
}} | }} | ||
{{bottom}} | {{bottom}} |
Latest revision as of 05:11, 13 November 2022
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
LilyPond | |
Zip file | |
File details | |
Help |
- Editor: Allen Garvin (submitted 2019-12-14). Score information: Letter, 6 pages, 115 kB Copyright: CC BY NC
- Edition notes:
- Editor: Andreas Stenberg (submitted 2018-01-22). Score information: A4, 12 pages, 1.65 MB Copyright: CPDL
- Edition notes: demi diplomatic edition, full score and separate scores of each of the two choirs.
General Information
Title: A Le guancie di rose, Dialogo à 8
Composer: Andrea Gabrieli
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Secular, Madrigal
Language: Italian
Instruments: A cappella
First published: 1587 in Concerti di Andrea et di Giovanni Gabrieli, no. 2.58
2nd published: 1588 in Gemma musicalis liber primus (Friedrich Lindner), no. 4
3rd published: 1596 in Madrigali a otto voci (Pierre Phalèse), no. 5, p. 5
Description: A two choir dialogue Madrigal.
External websites:
Original text and translations
Italian text Choro Primo: |
English translation First choir: |
- Translations with attribution
- Allen Garvin editions
- Andreas Stenberg editions
- Editions with large score files
- Andrea Gabrieli compositions
- SATB.SATB
- 8-part choral music
- Secular music
- Madrigals
- Works in Italian
- A cappella
- 1587 works
- 1588 works
- 1596 works
- Texts
- Italian texts
- Translations
- English translations
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