Ave Regina caelorum: Difference between revisions
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*[[Anonymous]] | *[[Anonymous]] | ||
**[[Ave Regina coelorum (Ambrosian chant)|Ambrosian Chant]] | **[[Ave Regina coelorum (Ambrosian chant)|Ambrosian Chant]] ("Salve radix sancta … semper") | ||
**[[Ave Regina coelorum (Gregorian chant)|Gregorian Chant]] | **[[Ave Regina coelorum (Gregorian chant)|Gregorian Chant]] | ||
**[[Gloria-Ave Regina coelorum (Anonymous)|Trent codex 87]] 1470's. ATT, with Gloria in top voice. | **[[Gloria-Ave Regina coelorum (Anonymous)|Trent codex 87]] 1470's. ATT, with Gloria in top voice. ("Salve radix, ex … semper") | ||
**[[Ave Regina cælorum (Anonymous)|Trent 89]] SATTB | **[[Ave Regina cælorum (Anonymous)|Trent 89]] SATTB ("Salve radix sancta … semper") | ||
**[[Ave Regina celorum (Anonymous)|Trent 91]] ATB | **[[Ave Regina celorum (Anonymous)|Trent 91]] ATB ("…Mater regis…") | ||
**[[Ave Regina coelorum (Anonymous)|Musica colonial archive]] SATB | **[[Ave Regina coelorum (Anonymous)|Musica colonial archive]] SATB | ||
*[[Gregor Aichinger]] | *[[Gregor Aichinger]] | ||
**[[Ave Regina coelorum a 3 (Gregor Aichinger)|a 3]] SST | **[[Ave Regina coelorum a 3 (Gregor Aichinger)|a 3]] SST ("Salve radix sancta … semper") | ||
**[[Ave Regina coelorum (Gregor Aichinger)|a 4 (I)]] SATB | **[[Ave Regina coelorum (Gregor Aichinger)|a 4 (I)]] SATB ("Salve radix, salve porta") | ||
**[[Ave Regina coelorum II (Gregor Aichinger)|a 4 (II)]] SATB | **[[Ave Regina coelorum II (Gregor Aichinger)|a 4 (II)]] SATB ("Salve radix sancta … semper") | ||
*[[Felice Anerio]] | *[[Felice Anerio]] | ||
**[[Ave Regina coelorum (Felice Anerio)|a 4 (I)]] SATB | **[[Ave Regina coelorum (Felice Anerio)|a 4 (I)]] SATB ("Salve radix sancta … semper") | ||
**[[Ave Regina coelorum II (Felice Anerio)|a 4 (II)]] SATB | **[[Ave Regina coelorum II (Felice Anerio)|a 4 (II)]] SATB ("Salve radix, salve porta … semper") | ||
*[[Ave regina caelorum (Giovanni Francesco Anerio)|<span style="color:gray">Giovanni Francesco Anerio</span>]] SATB All editions withdrawn | *[[Ave regina caelorum (Giovanni Francesco Anerio)|<span style="color:gray">Giovanni Francesco Anerio</span>]] SATB All editions withdrawn | ||
*[[Ave Regina (Benedict Anton Aufschnaiter)|Benedict Anton Aufschnaiter]] SATB & orchestra | *[[Ave Regina (Benedict Anton Aufschnaiter)|Benedict Anton Aufschnaiter]] SATB & orchestra | ||
*[[Giovanni Bassano]] | *[[Giovanni Bassano]] | ||
**[[Ave Regina coelorum a 8 (Giovanni Bassano)|a 8]] AATT.TTTB or SATB.ATTB | **[[Ave Regina coelorum a 8 (Giovanni Bassano)|a 8]] AATT.TTTB or SATB.ATTB ("Salve radix et porta … semper") | ||
**[[Ave Regina a 12 (Giovanni Bassano)| a 12]] ATTB.ATBB.TBBB or SATB.SATB.SATB | **[[Ave Regina a 12 (Giovanni Bassano)| a 12]] ATTB.ATBB.TBBB or SATB.SATB.SATB ("Salve radix et porta … semper") | ||
*[[4 Antiphonae Mariae (Franz Bühler)|4 Antiphonae Mariae (Franz Bühler)]] SATB & orchestra | *[[4 Antiphonae Mariae (Franz Bühler)|4 Antiphonae Mariae (Franz Bühler)]] SATB & orchestra | ||
*[[Ave Regina coelorum (William Byrd)|William Byrd]] ATTB | *[[Ave Regina coelorum (William Byrd)|William Byrd]] ATTB ("Salve radix, salve porta") | ||
*[[Ave Regina caelorum (Francesco Cavalli)|Francesco Cavalli]] TB & bc | *[[Ave Regina caelorum (Francesco Cavalli)|Francesco Cavalli]] TB & bc | ||
*[[Ave Regina (Mark_Chapman)|Mark Chapman]] SSSAAA | *[[Ave Regina (Mark_Chapman)|Mark Chapman]] SSSAAA |
Revision as of 01:51, 19 January 2020
The Ave Regina caelorum is sung as the concluding votive antiphon of the Divine Office during the pre-Lent and Lenten seasons, i.e. from the Feast of the Presentation (2nd February) until Maundy Thursday.
It appears to be of monastic origin but the author is unknown (dating from around the 12th century). Herman Contractus (+1054) is often suggested as the author, for he wrote several popular Marian antiphons around then. This antiphon is one of the traditional concluding antiphons for Compline in use since the 13th century. It is traditionally recited from the Feast of the Purification (Feb. 2) until Wednesday in Holy Week.
View the Wikipedia article on Ave Regina caelorum.
Musical settings at CPDL
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Other settings possibly not included in the manual list above
- Johann Kaspar Aiblinger — Ave Regina I
- Johann Kaspar Aiblinger — Ave Regina II
- Felice Anerio — Ave Regina caelorum a 8
- Jacques-Louis Battmann — Ave Regina caelorum
- Giacomo Benincasa — Ave Regina caelorum
- Giuseppe Antonio Bernabei — Ave Regina caelorum
- Hugo de la Chapelle — Ave regina
- Giovanni Battista Chinelli — Ave Regina caelorum
- Guillaume Dufay — Ave Regina coelorum II
- Costanzo Festa — Ave regina
- Mariano Garau — Ave Regina coelorum 2020
- Mariano Garau — Ave Regina coelorum III
- Elzear Genet — Ave Regina caelorum
- Eliseo Ghibel — Ave regina
- Charles Gounod — Ave Regina, CG 119
- Peter Griesbacher — Ave Regina caelorum
- Bernard Hellebusch — Ave, Regina coelorum no. 1
- Jacobus de Kerle — Ave regina
- Pierre La Fage — Ave regina caelorum
- Jacquet de Mantua — Ave regina
- Peter Philips — Ave Regina caelorum a 5
- Andreas de Silva — Ave regina caelorum
- Maximilian Stadler — Ave, Regina coelorum
Text and translations
The text of this antiphon appears to have remained fairly unchanged since the 12th century, small variants being noted below. Dufay's setting is unique in ending with an Alleluia, which probably stems from the earlier use of the antiphon at the Annunciation.
Latin text Ave Regina coelorum, |
English translation Hail, O Queen of Heav'n enthron'd, Salve, reina de los cielos, |
Vietnamese translation Compline |