Category:Glees: Difference between revisions
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The glee is a type of [[Category:Partsongs|partsong]] that flourished in | The glee is a type of [[:Category:Partsongs|partsong]] that flourished in 18th-century Britain, generally sectional and as a rule for unaccompanied men's voices. | ||
[[Category:Secular music| Glees]] | [[Category:Secular music| Glees]] | ||
Revision as of 05:13, 17 January 2015
The glee is a type of partsong that flourished in 18th-century Britain, generally sectional and as a rule for unaccompanied men's voices.
Pages in this category
The following 200 pages are in this category, out of 634 total.
(previous page) (next page)A
- A bumper of good liquor (Thomas Linley the elder)
- A long farewell (Thomas Norris)
- A poor soul sat sighing (Edward Smith Biggs)
- A poor soul sat under a sycamore tree (Anonymous)
- A thought on death (John Danby)
- A youth adorn'd with every art (Theodore Aylward)
- Adam catch'd Eve (Joseph Baildon)
- Adieu, ye rocks (John Alcock Jr.)
- Adieu, ye soft scenes (Samuel Wesley)
- Ah! Hills beloved (John Wall Callcott)
- Ah! How Sophia can you leave? (John Wall Callcott)
- Ah! me! With that false one (Edward Smith Biggs)
- Alas that e'er I knew this hour (Samuel Webbe)
- Alas, cried Damon (John Wall Callcott)
- Albion, thy sea-encircled isle (Benjamin Cooke)
- Aldiborontiphoscophornio (John Wall Callcott)
- All around is hushed (Philip P. Bliss)
- Alloa House (Thomas Billington)
- Although soft sleep (Anonymous)
- Although soft sleep (Richard John Samuel Stevens)
- Amidst the myrtles (Jonathan Battishill)
- Amo, amas (Anonymous)
- The amorous parley (Edward Mulso)
- Apollo, high our souls inspire (John Danby)
- Are the white hours for ever fled (John Wall Callcott)
- Arno's vale (Henry Holcombe)
- Around the festive board (Samuel Webbe)
- As I was going to Derby (John Wall Callcott)
- As it fell upon a day (Lord Mornington)
- As now the shades of eve (Benjamin Cooke)
- As on a summer's day (John Stafford Smith)
- As onward we jog (John Danby)
- As t'other day Susan and Tom (Luffman Atterbury)
- As the moments roll (Samuel Webbe)
- Attend, ye sons of mirth (Samuel Webbe)
- Awake, Aeolian lyre (John Danby)
- Awake, my fair (Francis Hutcheson)
- Away away away (Samuel Webbe)
B
- Balmy May (William Aubrey Williams)
- Baloo, my babe (Joseph Corfe)
- The Banks of the Dee (John Clarke-Whitfeld)
- The banks of the Tweed (Harriett Abrams)
- The Banks of the Yarrow (John Wall Callcott)
- Begin the song (John Danby)
- Behold! blest peace (Samuel Webbe Jr.)
- The bells of St Michael's tower (Robert Prescott Stewart)
- Beneath a weight of hapless love (Benjamin Cooke)
- Beneath the silent rural cell (Henry Harington)
- Beneath these walls (Blenheim) (John Wall Callcott)
- Bess the gawkie (Harriett Abrams)
- Bind my brows (John Stainer)
- Birks of Aberfeldy (Harriett Abrams)
- Blest pair of sirens (John Stafford Smith)
- Blind man's bluff (Thomas Arne)
- Blow, blow thou winter wind (arr. Hayes) (Thomas Arne)
- Blow, blow thou winter wind (Richard John Samuel Stevens)
- Blow, blow thou wintry wind (arr. Bishop) (Thomas Arne)
- Blow, blow, thou winter wind (Henry Rowley Bishop)
- Blow, gentle gales (Henry Rowley Bishop)
- Breathe soft ye winds (Maria Hester Park)
- Breathe soft ye winds (Samuel Webbe)
- Breathe soft ye winds (William Paxton)
- Breezes of Morning (William Aubrey Williams)
- The Bride and Bridegroom (John Stafford Smith)
- Bright Lady, sweet Mistress (Henry Rowley Bishop)
- British sentiments (Samuel Webbe)
- Britons advance (Philip Hayes)
- By mason's art, the aspiring dome (Benjamin Cooke)
- By shady woods and purling streams (Maria Hester Park)
C
- Can love be controlled by advice? (Samuel Webbe Jr.)
- Cara vale (John Wall Callcott)
- The Card (Samuel Arnold)
- The Cats (William Lawes)
- Cease to blame my melancholy (John Stafford Smith)
- Cease your funning (Samuel Webbe Jr.)
- Cecilia, more than all the muses skilled (Samuel Webbe)
- Cheerfulness (Ciro Pinsuti)
- Child of summer (William Hayes)
- Chloe farewell (John Alcock Jr.)
- Chloe yielded (Anonymous)
- Circle the bowl (Samuel Wesley)
- Come and let us live (Samuel Webbe Jr.)
- Come bind my hair (Jonathan Battishill)
- Come bounteous May (Reginald Spofforth)
- Come Clara (Reginald Spofforth)
- Come Damon, leave thy sadness (James Corfe)
- Come Delia, pride of rural swains (John Danby)
- Come gentle zephyr (William Horsley)
- Come kiss me, dear Dolly (James Hook)
- Come live with me (Samuel Webbe)
- Come shepherds, come away (Lord Mornington)
- Come shepherds, swains (James Corfe)
- Come thou monarch of the vine (Benjamin Cooke)
- Come, fairest nymph (Lord Mornington)
- Come, follow me (William Horsley)
- Come, gentle Spring (John Wall Callcott)
- Come, let us a-maying go (Luffman Atterbury)
- Come, my friends (William Horsley)
- Come, pretty bird (John Danby)
- Come, push round with spirit (Samuel Webbe)
- Come, push round with spirit (William Jackson of Exeter)
- Come, ye party jangling swains (John Danby)
- Come, Zephalinda (John Alcock Jr.)
- Concord is conquered (Robert Cooke)
- Consigned to dust (Jonathan Battishill)
- Could he, whom my dissembled rigour grieves (William Jackson of Exeter)
- Crabbed age and youth (Richard John Samuel Stevens)
- Creator Venus, genial power of love (Samuel Webbe)
- Cried Ned to his neighbour (Richard Langdon)
- Cried Strephon, panting (Joseph Baildon)
- A cruel fate hangs threat'ning (Theodore Aylward)
- Cupid no more shall give me grief (John Dyne)
D
- Dame Durden (Henry Harington)
- Daughter of error! (Henry Rowley Bishop)
- Day break (William Aubrey Williams)
- De'il tak' the wars (Joseph Corfe)
- Death and Victory (The Anacreontic Song) (John Stafford Smith)
- Delightful scene, in which appear (Lord Mornington)
- Delusive, sightless god (Samuel Webbe)
- Desolate is the dwelling of Morna (John Wall Callcott)
- Discord dire sister (Samuel Webbe)
- Divine Cecilia! (Samuel Webbe)
- Done to death by slanderous tongues (canzonet) (Theodore Aylward)
- Done to death by slanderous tongues (glee) (Theodore Aylward)
- Doth the sweet pastoral pipe neglected lie? (William Hayes)
- Doubt thou the stars are fire (Richard John Samuel Stevens)
- Down the smooth stream of life (John Stafford Smith)
- Drink to me only (Traditional)
- Dry be that tear, my gentlest love (Thomas Linley the elder)
- Dull, repining sons of care (John Wall Callcott)
E
- Elegy on the death of Mr Shenstone (John Broderip)
- Elegy on the death of Mr. Shenstone (Thomas Arne)
- Epitaph on a Dormouse (Benjamin Cooke)
- Epitaph on Henry Purcell (Mary Hudson)
- Epitaph on Mrs Wren (Anonymous)
- Epitaph on Sally Salisbury (John Stafford Smith)
- Epitaph on Sir Charles Sanders (Lord Mornington)
- Epitaph on Sir John Calf (John Wall Callcott)
- Epitaph on the gravestone of Dr Willm. Child (Robert Hudson)
- The Erl King (John Wall Callcott)
F
- Fain would I sing (Philip Hayes)
- Fair Flora decks the flowery ground (John Danby)
- Fairest daughter of the year (John Danby)
- The family quarrel (Thomas Arne)
- Far away from every pleasure (Henry Rowley Bishop)
- Fare thee well, thou native vale (John Danby)
- Farewell at Yang Gate (Louis K. Liu)
- Farewell to Lochaber (John Wall Callcott)
- Father of heroes (John Wall Callcott)
- Few are the vales (Samuel Webbe Jr.)
- Fields were overspread with flowers (Philip Hayes)
- Fill the bowl (John Dyne)
- Fill the horn of glossy blue (John Wall Callcott)
- The Fisherman’s “Good Night” (Henry Rowley Bishop)
- Five times by the taper's light (Stephen Storace)
- Flow on, silver stream (John Danby)
- Flow, gentle stream (John Stafford Smith)
- For Agathon, in fighting fields (Thomas Norris)
- For all our men were very, very merry (Robert Lucas Pearsall)
- Foresters, sound the cheerful horn (Henry Rowley Bishop)
- Forgive blessed shade (John Wall Callcott)
- From Oberon, in Fairy land (Richard John Samuel Stevens)
G
- Gales of evening (Robert Cooke)
- Garlands bring (Philip Hayes)
- Garvan (John Wall Callcott)
- Gentle Cupid, lend an ear (John Broderip)
- Gentle ladies, good in nature (Anonymous)
- Gentle manners, virtuous lives (Samuel Webbe)
- Gentle swains, unseal your eyes (John Danby)
- Gently bear me (Lord Mornington)
- Gently touch the warbling lyre (Francesco Geminiani)
- Gently touch the warbling lyre (James Brooks)
- Glorious Apollo (Samuel Webbe)
- Go gentle soul (Henry Harington)
- Go plaintive breeze (John Wall Callcott)
- Go rose, my Chloe's bosom grace (William Benson Earle)
- Go rose, my Chloe's bosom grace (William Jackson of Exeter)
- Go tell Amynta, gentle swain (Maria Hester Park)
- Go to the ant (Henry Harington)
- Go, Damon go (Philip Hayes)
- Go, Damon go (Stephen Paxton)
- Go, feeble tyrant (William Jackson of Exeter)
- Go, idle boy (John Wall Callcott)
- Go, tuneful bird (John Wall Callcott)
- Go, ye soft notes (Philip Hayes)
- Goddess of the tuneful lyre (John Danby)
- Golden sun, thy warmth display (James Hook)
- Good night, good rest (Henry Rowley Bishop)
- Good statesmen need not only wit (Thomas Arne)
- Great Apollo (Samuel Webbe)
- Great Bacchus, O aid us (Samuel Webbe)
- Great god of sleep (Francis Hutcheson)
- Green thorn of the hill of ghosts (John Wall Callcott)
- Green willow (John Clarke-Whitfeld)
- Greeting Glee (Nathan L. Glover)