Difference between revisions of "Magnificat Septimi Toni 'Anima mea' (Cristóbal de Morales)"

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'''Description:''' During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
 
'''Description:''' During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.

Revision as of 16:11, 29 August 2016

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Editor: Michael Wendel (submitted 2006-07-15).   Score information: A4, 8 pages, 167 kB   Copyright: CPDL
Edition notes: Setting of odd verses of the Magnificat. See composer page for links to other Magnificat settings

General Information

Title: Magnificat Septimi Toni 'Anima mea'
Composer: Cristóbal de Morales

Number of voices: 4vv   Voicing: SATT
Genre: SacredEvening Canticles

Language: Latin
Instruments: A cappella


Obsolete template (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications. </noinclude>

Description: During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.

External websites:

Original text and translations

Original text and translations may be found at Magnificat.