Magnificat octavi toni (Juan Navarro Hispalensis): Difference between revisions
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{{Instruments|A cappella. The opening intonation has accompaniment for ''"bajón"'', maybe dulcian}} | {{Instruments|A cappella. The opening intonation has accompaniment for ''"bajón"'', maybe dulcian}} | ||
{{ | {{Pub|1||in Eslava's ''Lira sacra Hispana'' (mid 19c)}} | ||
'''Description:''' a Magnificat showing the influence of [[Cristóbal de Morales|Morales]], who was the composer's original choirmaster. There is a canon in the "Gloria" section and the intention clearly was that the omitted even verses should be either sung in plainchant or played on the organ. | '''Description:''' a Magnificat showing the influence of [[Cristóbal de Morales|Morales]], who was the composer's original choirmaster. There is a canon in the "Gloria" section and the intention clearly was that the omitted even verses should be either sung in plainchant or played on the organ. |
Revision as of 00:59, 19 October 2019
Music files
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Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
- Editor: Jonathan Goodliffe (submitted 2014-08-29). Score information: A4, 8 pages, 71 kB Copyright: CPDL
- Edition notes: From Eslava's "Lira sacra Hispana". Eslava tended to "improve" on his sources. Updated version uploaded 15-10-2015. MusicXML source file(s) in compressed .mxl format.
General Information
Title: Magnificat octavi toni
Composer: Juan Navarro Hispalensis
Number of voices: 4vv Voicings: SATB or SAAT
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella. The opening intonation has accompaniment for "bajón", maybe dulcian
First published:
Description: a Magnificat showing the influence of Morales, who was the composer's original choirmaster. There is a canon in the "Gloria" section and the intention clearly was that the omitted even verses should be either sung in plainchant or played on the organ.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.