Missa tertii toni (Rodrigo de Ceballos): Difference between revisions
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{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|2|30}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|2|30}}{{Copy|CPDL}} | ||
=== | ===2. Gloria=== | ||
*{{NewWork|2011-07-27}} '''CPDL #24004:''' [{{filepath:Ceb-mis2.pdf}} {{pdf}}] [{{filepath:Ceb-mis2.mid}} {{mid}}] [{{filepath:Ceb-mis2.sib}} Sibelius 5] | *{{NewWork|2011-07-27}} '''CPDL #24004:''' [{{filepath:Ceb-mis2.pdf}} {{pdf}}] [{{filepath:Ceb-mis2.mid}} {{mid}}] [{{filepath:Ceb-mis2.sib}} Sibelius 5] | ||
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}} | ||
===3. Credo=== | |||
===4. Sanctus=== | |||
*{{NewWork|2011-07-27}} '''CPDL #24005:''' [{{filepath:Ceb-mis4.pdf}} {{pdf}}] [{{filepath:Ceb-mis4.mid}} {{mid}}] [{{filepath:Ceb-mis4.sib}} Sibelius 5] | |||
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|2|27}}{{Copy|CPDL}} | |||
===5. Agnus dei I=== | |||
===6. Agnus dei II=== | |||
:'''Edition notes:''' | :'''Edition notes:''' | ||
Revision as of 21:22, 27 July 2011
Music files
| ICON | SOURCE |
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File details |
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Help |
1. Kyrie
CPDL #24003:
Sibelius 5
- Editor: Jonathan Goodliffe (submitted 2011-07-27). Score information: A4, 2 pages, 30 kB Copyright: CPDL
2. Gloria
CPDL #24004:
- Editor: Jonathan Goodliffe (submitted 2011-07-27). Score information: A4, 4 pages, 51 kB Copyright: CPDL
3. Credo
4. Sanctus
CPDL #24005:
- Editor: Jonathan Goodliffe (submitted 2011-07-27). Score information: A4, 2 pages, 27 kB Copyright: CPDL
5. Agnus dei I
6. Agnus dei II
- Edition notes:
General Information
Title: Missa tertii toni
Composer: Rodrigo de Ceballos
Number of voices: 4vv Voicing: SATB
Number of voices: 4vv Voicing: SAAT
Genre: Sacred, Mass
Language: Latin
Instruments: a cappella
Published: Not known
Description: A four part mass, edited from what is probably an 18th Century manuscript copy of the work. There is no Benedictus, either because there never was one, or, more likely, because by the Baroque period in Spain and Latin America the Benedictus was usually sung to a plain setting, so the original Benedictus may have been omitted. Some sections (e.g. the Kyrie) are suitable for SATB voices, others, e.g. the Gloria are suited for SAAT.
External websites:
- From the Música Colonial Archive which contains a copy of the manuscript, the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available here.
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: