Regina caeli (Jean Rousée): Difference between revisions
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*{{PostedDate|2019-12-11}} {{CPDLno|56236}} [[Media:Rou_Reg.pdf|{{pdf}}]] [[Media:Rousee_Regina_caeli_a8_mid.mid|{{mid}}]] | *{{PostedDate|2019-12-11}} {{CPDLno|56236}} [[Media:Rou_Reg.pdf|{{pdf}}]] [[Media:Rousee_Regina_caeli_a8_mid.mid|{{mid}}]] [[Media:Rou_Reg.mxl|{{XML}}]] | ||
{{Editor|Mick Swithinbank|2019-12-11}}{{ScoreInfo|A4|15|120}}{{Copy|CPDL}} | {{Editor|Mick Swithinbank|2019-12-11}}{{ScoreInfo|A4|15|120}}{{Copy|CPDL}} | ||
:{{EdNotes|Original pitch and note values.}} | :{{EdNotes|Original pitch and note values.}} | ||
Latest revision as of 15:29, 27 January 2022
Music files
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- (Posted 2019-12-11) CPDL #56236:
- Editor: Mick Swithinbank (submitted 2019-12-11). Score information: A4, 15 pages, 120 kB Copyright: CPDL
- Edition notes: Original pitch and note values.
General Information
Title: Regina caeli
Composer: Jean Rousée
Lyricist:
Number of voices: 8vv Voicing: SSTTTTBB
Genre: Sacred, Antiphon
Language: Latin
Instruments: A cappella
First published: 1535 in Motettorum, Book 12 (Pierre Attaingnant), no. 7
Description: The source is Attaingnant's 12th book of motets, which is devoted to Marian antiphons. Although few works by the composer (fl. 1534-60), who wrote both songs and motets, have survived, this setting is a surprisingly successful and sonorous one, notable both for its length and for the number of voices used. The voices are sometimes divided into two four-part choirs, and the variety in the number of voices used suggests a composer who thought about what would work effectively.
External websites:
Original text and translations
Original text and translations may be found at Regina caeli.