Tota pulchra es, amica mea: Difference between revisions
Richard Mix (talk | contribs) (→Settings by composers: Canis compared) |
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*[[Tota pulchra es (Giulio Belli)|Giulio Belli]] SAATB vv1-3 and without break continuing "Surge propera…coronaberis." | *[[Tota pulchra es (Giulio Belli)|Giulio Belli]] SAATB vv1-3 and without break continuing "Surge propera…coronaberis." | ||
*[[Tota pulchra es (Cornelius Canis)|Cornelius Canis]] ATTTB vv1-3 | *[[Tota pulchra es (Cornelius Canis)|Cornelius Canis]] ATTTB vv1-3 | ||
*[[Tota pulchra es a 3 (John Forest)|John Forest]] SAT | *[[Tota pulchra es a 3 (John Forest)|John Forest]] SAT (as below) | ||
*[[Tota pulchra a 4 (Heinrich Isaac)|Heinrich Isaac]] ATTB (as below) | *[[Tota pulchra a 4 (Heinrich Isaac)|Heinrich Isaac]] ATTB (as below) | ||
*[[Tota pulchra es (Clemens Morel)|Clemens Morel]] STTB | *[[Tota pulchra es (Clemens Morel)|Clemens Morel]] STTB |
Revision as of 07:35, 5 March 2017
It has been suggested that this page or section be merged with Tota pulchra es. |
General information
Frequently set text from Song of Solomon 4:7,11; 2:11–13; 4:8.
Settings by composers
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Other settings possibly not included in the manual list above
- Giovanni Giacomo Arrigoni — Tota pulchra es
- Floriano Canale — Tota pulchra es
- Nicolas Gombert — Tota pulchra es
- Charles Gounod — Tota pulchra es, CG 108
- Charles Gounod — Tota pulchra es, CG 108a
- Clément Morel — Tota pulchra es
- Ludwig Senfl — Amica mea - Ich stund an einem Morgen
- Ludwig Senfl — Tota pulchra es amica mea
- Claudin de Sermisy — Tota pulchra es
- Gaspar van Weerbeke — Tota pulchra es
Text and translations
Latin text 4:7 Tota pulchra es, amica mea, et macula non est in te; [Hij:]
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English translation 4:7 You are altogether beautiful, my love; there is no flaw in you. 4:7 Thou art wholly fair, my love, nor is there any stain in thee; |
External links
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