Missa tertii toni (Rodrigo de Ceballos): Difference between revisions

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*{{PostedDate|2011-07-27}} {{CPDLno|24003}} [[Media:Ceb-mis1.pdf|{{pdf}}]] [[Media:Ceb-mis1.mid|{{mid}}]] [[Media:Ceb-mis1.mxl|{{XML}}]] [[Media:Ceb-mis1.sib|{{sib}}]] (Sibelius 5)
*{{PostedDate|2011-07-27}} {{CPDLno|24003}} [[Media:Ceb-mis1.pdf|{{pdf}}]] [[Media:Ceb-mis1.mid|{{mid}}]] [[Media:Ceb-mis1.mxl|{{XML}}]] [[Media:Ceb-mis1.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|2|30}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|2|30}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}
 
===2. Gloria===
===2. Gloria===
*{{PostedDate|2011-07-27}} {{CPDLno|24004}} [[Media:Ceb-mis2.pdf|{{pdf}}]] [[Media:Ceb-mis2.mid|{{mid}}]] [[Media:Ceb-mis2.mxl|{{XML}}]] [[Media:Ceb-mis2.sib|{{sib}}]] (Sibelius 5)
*{{PostedDate|2011-07-27}} {{CPDLno|24004}} [[Media:Ceb-mis2.pdf|{{pdf}}]] [[Media:Ceb-mis2.mid|{{mid}}]] [[Media:Ceb-mis2.mxl|{{XML}}]] [[Media:Ceb-mis2.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|4|51}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}
 
===3. Credo===
===3. Credo===
*{{PostedDate|2011-07-29}} {{CPDLno|24024}} [[Media:Ceb-mis3.pdf|{{pdf}}]] [[Media:Ceb-mis3.mid|{{mid}}]] [[Media:Ceb-mis3.mxl|{{XML}}]] [[Media:Ceb-mis3.sib|{{sib}}]] (Sibelius 5)
*{{PostedDate|2011-07-29}} {{CPDLno|24024}} [[Media:Ceb-mis3.pdf|{{pdf}}]] [[Media:Ceb-mis3.mid|{{mid}}]] [[Media:Ceb-mis3.mxl|{{XML}}]] [[Media:Ceb-mis3.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-07-29}}{{ScoreInfo|A4|9|87}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-07-29}}{{ScoreInfo|A4|9|87}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}
 
===4. Sanctus===
===4. Sanctus===
*{{PostedDate|2011-07-27}} {{CPDLno|24005}} [[Media:Ceb-mis4.pdf|{{pdf}}]] [[Media:Ceb-mis4.mid|{{mid}}]] [[Media:Ceb-mis4.mxl|{{XML}}]] [[Media:Ceb-mis4.sib|{{sib}}]] (Sibelius 5)
*{{PostedDate|2011-07-27}} {{CPDLno|24005}} [[Media:Ceb-mis4.pdf|{{pdf}}]] [[Media:Ceb-mis4.mid|{{mid}}]] [[Media:Ceb-mis4.mxl|{{XML}}]] [[Media:Ceb-mis4.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|9|27}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-07-27}}{{ScoreInfo|A4|9|27}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}
 
===Benedictus===
===Benedictus===
Not included in this setting, or more probably lost
Not included in this setting, or more probably lost
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*{{PostedDate|2011-07-30}} {{CPDLno|24037}} [[Media:Ceb-mis5.pdf|{{pdf}}]] [[Media:Ceb-mis5.mid|{{mid}}]] [[Media:Ceb-mis5.mxl|{{XML}}]] [[Media:Ceb-mis5.sib|{{sib}}]] (Sibelius 5)
*{{PostedDate|2011-07-30}} {{CPDLno|24037}} [[Media:Ceb-mis5.pdf|{{pdf}}]] [[Media:Ceb-mis5.mid|{{mid}}]] [[Media:Ceb-mis5.mxl|{{XML}}]] [[Media:Ceb-mis5.sib|{{sib}}]] (Sibelius 5)
{{Editor|Jonathan Goodliffe|2011-07-30}}{{ScoreInfo|A4|2|27}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2011-07-30}}{{ScoreInfo|A4|2|27}}{{Copy|CPDL}}
:'''Edition notes:'''
:{{EdNotes|}}


===6. Agnus dei II===
===6. Agnus dei II===
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{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2013-03-31}}{{ScoreInfo|A4|2|32}}{{Copy|CPDL}}
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2013-03-31}}{{ScoreInfo|A4|2|32}}{{Copy|CPDL}}


:'''Edition notes:''' Corrected versions of Sanctus uploaded 2011-07-29, Agnus dei II 2013-04-02 and Kyrie 2013-04-03. The source for the Agnus dei II states it to be “A5”. The bass part is omitted, but “bassus in sub diapason” is indicated against the second alto part. There are “segno” indications in that part on the A starting in bar 4 and the minim A in bar 33. The bass part has been reconstructed on this basis.
:{{EdNotes|Corrected versions of Sanctus uploaded 2011-07-29, Agnus dei II 2013-04-02 and Kyrie 2013-04-03. The source for the Agnus dei II states it to be “A5”. The bass part is omitted, but “bassus in sub diapason” is indicated against the second alto part. There are “segno” indications in that part on the A starting in bar 4 and the minim A in bar 33. The bass part has been reconstructed on this basis.}}
:


==General Information==
==General Information==
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{{Composer|Rodrigo de Ceballos}}
{{Composer|Rodrigo de Ceballos}}


{{Voicing|4|SATB}} or {{Cat|SAAT}} or {{Cat|SAATB}}<br>
{{Voicing|4|SATB|add=or {{Vcat|SAAT}} or {{Vcat|SAATB}}}}
{{Genre|Sacred|Masses|sort=Ceballos, Rodrigo de}}
{{Genre|Sacred|Masses|sort=Ceballos, Rodrigo de}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|}}
{{Pub|0|1717|in ''E-Zac C-3 Ms 8'' (Zaragossa)|ms=ms|no=3}}
{{Descr|A four part mass, edited from what is probably an 18th Century manuscript copy of the work. There is no Benedictus, either because there never was one, or, more likely, because by the Baroque period in Spain and Latin America the Benedictus was usually sung to a plain setting, so the original Benedictus may have been omitted. The Kyrie is suitable for SATB voices. The remainder of the work, other than the Agnus dei II, is more suited for SAAT. In the 5 part Agnus dei II the basses sing an octave below the second alto part.}}
{{Descr|A four part mass, edited from what is probably an 18th Century manuscript copy of the work. There is no Benedictus, either because there never was one, or, more likely, because by the Baroque period in Spain and Latin America the Benedictus was usually sung to a plain setting, so the original Benedictus may have been omitted. The Kyrie is suitable for SATB voices. The remainder of the work, other than the Agnus dei II, is more suited for SAAT. In the 5 part Agnus dei II the basses sing an octave below the second alto part.}}
'''External websites:'''
{{#ExtWeb:
*From the [[Música Colonial Archive]] which contains a [http://conan.lib.muohio.edu/musica/frame.html?filename=9-006.djvu copy of the manuscript], the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].
*From the [[Música Colonial Archive]] which contains a [http://conan.lib.muohio.edu/musica/frame.html?filename=9-006.djvu copy of the manuscript], the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].}}
 
==Original text and translations==
==Original text and translations==
{{MassText}}
{{MassText}}

Latest revision as of 16:05, 4 November 2023

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1. Kyrie

  • (Posted 2011-07-27)  CPDL #24003:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-07-27).   Score information: A4, 2 pages, 30 kB   Copyright: CPDL
Edition notes:

2. Gloria

  • (Posted 2011-07-27)  CPDL #24004:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-07-27).   Score information: A4, 4 pages, 51 kB   Copyright: CPDL
Edition notes:

3. Credo

  • (Posted 2011-07-29)  CPDL #24024:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-07-29).   Score information: A4, 9 pages, 87 kB   Copyright: CPDL
Edition notes:

4. Sanctus

  • (Posted 2011-07-27)  CPDL #24005:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-07-27).   Score information: A4, 9 pages, 27 kB   Copyright: CPDL
Edition notes:

Benedictus

Not included in this setting, or more probably lost

5. Agnus dei I

  • (Posted 2011-07-30)  CPDL #24037:        (Sibelius 5)
Editor: Jonathan Goodliffe (submitted 2011-07-30).   Score information: A4, 2 pages, 27 kB   Copyright: CPDL
Edition notes:

6. Agnus dei II

  • (Posted 2013-03-31) CPDL #28691:        (Sibelius 5)
Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2013-03-31).   Score information: A4, 2 pages, 32 kB   Copyright: CPDL
Edition notes: Corrected versions of Sanctus uploaded 2011-07-29, Agnus dei II 2013-04-02 and Kyrie 2013-04-03. The source for the Agnus dei II states it to be “A5”. The bass part is omitted, but “bassus in sub diapason” is indicated against the second alto part. There are “segno” indications in that part on the A starting in bar 4 and the minim A in bar 33. The bass part has been reconstructed on this basis.

General Information

Title: Missa tertii toni
Composer: Rodrigo de Ceballos

Number of voices: 4vv   Voicing: SATB, or SAAT or SAATB
Genre: Sacred, Mass

Language: Latin
Instruments: A cappella

    Manuscript 1717 in E-Zac C-3 Ms 8 (Zaragossa), no. 3
Description: A four part mass, edited from what is probably an 18th Century manuscript copy of the work. There is no Benedictus, either because there never was one, or, more likely, because by the Baroque period in Spain and Latin America the Benedictus was usually sung to a plain setting, so the original Benedictus may have been omitted. The Kyrie is suitable for SATB voices. The remainder of the work, other than the Agnus dei II, is more suited for SAAT. In the 5 part Agnus dei II the basses sing an octave below the second alto part.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei      
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